Austerity, Sponsorship and Preservation in Italy

A structure in Pompeii in 2011

There is a report in the Daily Beast about the difficulty Italy may be having in preserving its considerable heritage:

For the last several months, chunks of marble have been plummeting from the Colosseum, ancient walls have been reduced to rubble and even bits of the baroque Trevi Fountain have crumbled, changing forever the face of that illustrious monument. And that’s just in Rome. In Naples, the Royal Palace has fractures in its façade and once-glorious fountains in the city’s squares are covered in graffiti. Pompeii is at risk of becoming a wasteland as its ruins disintegrate to dust due to lack of maintenance. In Emilia Romagna, important churches and clock towers damaged in a series of springtime earthquakes will never be repaired. There simply is no money left in Italy’s tightened budget to take care of the country’s cultural heritage. Austerity measures to combat Italy’s stifling public debt and save the country from default has meant there is little money left over for anything but the bare necessities. But the bigger problem is that basic maintenance on many of the country’s cultural gems has been neglected for years. Recent budget cuts are just the last nail in the sarcophagus. In reality, the culture budget has been the first to be cut for the last several years. A full third—€1.42 billion—has been slashed from the culture budget in the last three years, meaning vital maintenance on some of the country’s most important monuments was never carried out.

I’m always skeptical of English language reporting of ways in which Italians aren’t caring for their heritage. But cutting a culture budget by 1/3 is a drastic step. Of course cuts of all kinds are taking place, it was recently announced that the Georgia State archives will be closed after Nov. 1. I for one won’t shed a tear for a bit of the gaudy Trevi fountain crumbling, and the pressures on Pompeii are nothing new. But so many cuts to heritage protection by a nation that respects and values its past is a sad sign of the difficulty facing culture ministries all over the world. It is no surprise that asking for sponsorship from the private sector may be a viable alternative. Selling the buildings may appear to be a drastic step, but there are historic preservation rules in place in Italy which would largely preserve the appearance of the protected buildings, if not the public access.

  1. Barbie Latza Nadeau, Italy’s Culture Falling to Ruins Amid Austerity Cuts, The Daily Beast (Sep 19, 2012).

Questions or Comments? Email me at derek.fincham@gmail.com

Pompeii Still at Risk

Martin Bailey for the Art Newspaper reports on UNESCO taking the initial steps towards putting Pompeii on the World Heritage in Danger list. A report published in June (to little fanfare) found that:

Although much of Pompeii ­remains in good repair, the problems are numerous, including “inappropriate restoration ­methods and a general lack of qualified staff… restoration projects are outsourced and the quality of the work of the contractors is not being assessed. An efficient drainage system is lacking, ­leading to water infiltration and excessive moisture that gradually degrades the structural condition of the buildings as well as their decor. The mission was also concerned by the amount of plant growth, particularly ivy.” . . . Pompeii attracted more than 2.3 million visitors in 2010 and on the busiest days it had 20,000. Sheer numbers, along with careless behaviour, are causing considerable damage: “Visitors in groups rub against the decorated walls, all too often with their rucksacks, or lean against them to take the best possible photographs,” says the report.

That has been my experience on visiting Pompeii as well. Do people need to touch and scramble over everything? On visiting the site, perhaps the calls by some to just bury parts of the site, and leave open only those areas which can be properly managed and visited is the right answer. I was surprised to learn that in 1956 there were 66 restored houses open to visitors, but today only 15 are open, and these are badly damaged by ignorant tourists and inefficient security.

There has been €105m set aside by the European Union, and a UNESCO ‘action plan’ could enable that money to be spent. However the funding cuts at UNESCO which resulted from the unfortunate decision on the one hand by the U.S. to cut all UNESCO support, and second, but UNESCO member states and Palestine to force the political brinksmanship may put that funding in jeopardy.

  1. Martin Bailey, Italy allows Unesco into Pompeii, The Art Newspaper, January 4, 2012, http://www.theartnewspaper.com/articles/Italy+allows+Unesco+into+Pompeii/25422 (last visited Jan 5, 2012).
Questions or Comments? Email me at derek.fincham@gmail.com

The Eternal Problem of Funding Pompeii

The task of managing, studying and excavating Pompeii has elicited criticism since the King of Naples hired a Spanish military engineer named Rocque Joaquin de Alcubierre in the 18th Century. Given the rains, funding pressures, and the army of tourists, controversy has again flared, this time over the funding of an archaeological survey that may be be wholly unnecessary:

The three-year study, entitled “Pompeii, Fabbrica della Conoscenza” (“Pompeii, the Knowledge Factory”), was carried out using the most advanced technology, according to Carmine Gambardella, dean of the faculty of architecture at the Second University of Naples (Aversa). “After the collapse of the House of Gladiators, we flew over the excavations with the Guardia di Finanza, using an infrared thermal sensor to locate at-risk areas and so redraw a map of the site,” said Gambardella. The ministry-approved survey, therefore, amounts to a costly “repeat performance”. The cultural affairs branch of the Italian Labour Union has reported the matter to the public prosecutors of Torre Annunziata, Naples and Rome, calling for transparency in the awarding of such public contracts.

  1. Edek Osser, Controversy over Pompeii funding | The Art Newspaper (2011), http://www.theartnewspaper.com/articles/Controversy+over+Pompeii+funding/24455 (last visited Sep 20, 2011).
Questions or Comments? Email me at derek.fincham@gmail.com