Steve Green has amassed 40,000 objects since 2009 for his Museum of the Bible. His name may be familiar, he’s President of Hobby Lobby (and one of the major funders of a successful Supreme Court challenge which allows employers to opt out of paying for insurance on religious grounds, which pays for some health care). Given that nearly all of those 40,000 objects originated from the Middle East, and given the unstable situation in that part of the world, where armed conflict has made securing heritage difficult, there was always a strong likelihood that a substantial amount of that material may have been looted, stolen, illegally exported, or even faked. The illicit nature of that material may be about to put the future of the museum in serious jeopardy. The Museum of the Bible will sit very near the National Mall, an important national space where the Smithsonian, the National Gallery, the Air and Space Museum, and other museums sit. America has reserved this space as a place for museums, so the optics of having a new museum filled with tens of potentially looted artifacts should not be underestimated.
Candida Moss and Joel Baden reported for the Daily Beast that Federal investigators are looking at whether the Greens have illegally imported objects from Iraq. One of the allegations is that some objects were misdeclared on customs paperwork:
If the investigation ends with a decision to prosecute, on either criminal or civil charges, the Greens may be forced to forfeit the tablets to the government. There may also be a fine involved. The Green family, who successfully forced the federal government to legally recognize their personal moral standards, now find themselves on the other side of the docket, under suspicion of having attempted to contravene U.S. laws. . . .
When Summers spoke with us, he made it sound as if the ongoing federal investigation was simply the result of a logistical problem. “There was a shipment and it had improper paperwork—incomplete paperwork that was attached to it.” That innocuous phrase—“incomplete paperwork”—makes it sound as if some forms were simply missing a date or a signature. That is rarely the case with questionably-acquired ancient artifacts—and were the problem merely logistical, the chances are slim that it would take four years to resolve.
Summers suggested that the tablets were merely “held up in customs,” as if this was merely a case of bureaucratic delays. “Sometimes this stuff just sits, and nobody does anything with it.” But an individual close to the investigation told us that investigators have accumulated hundreds of hours of interviews, which doesn’t sound like bureaucratic delay—and which also suggests that there is more at stake here than merely a logistical oversight.
Gary Vikan, formerly of the Walters Art Museum, noted in an Op-Ed last week that Henry Walters amassed a relatively modest 1700 works from an Italian priest in 1902 and discovered many illicit works, including fakes which were purportedly by Titian, Raphael, and Michelangelo. The test according to Vikan will be whether the Greens will undertake the kind of rigorous study and authentication required of a serious cultural institution:
The collection in its entirety must, of course, be properly conserved and safely preserved — including those works the staff does not plan to exhibit, both for scholars, and in anticipation of possible repatriation claims.
This process, done right, will entail significant expense, but just a tiny fraction of what has already been invested. And it will go a long way toward repairing the Greens’ reputation as responsible stewards. As the Walters example suggests, there is a place in the profession for ex post facto due diligence on high-speed collecting: if you can’t get it right at first, make sure you do it right later. Full transparency is also the ticket price for membership in the museum and academic worlds to which the Greens aspire.
I urge Steve Green to announce that this approach is part of his strategic agenda, that it has his full support, and that its urgency is no less than that of his new museum. Should these efforts reveal specific evidence of illegally excavated and/or exported works from, for example, Iraq, I would urge Green to initiate an open, good-faith dialogue with officials in the country of origin and with the U.S. State Department, with the aim of repatriation.
What’s done is done. Now is the time to look toward the future, and to act.
In many respects these problems were predictable and foreseeable. The age when you could spend freely on the international antiquities market are gone. Buyers must be more careful. Another consideration I suppose is whether it would have even been possible to put together a museum of the bible if those questions were asked. Perhaps not.
On Monday, on the blog Jihadology, we got some fresh insight into how ISIS makes its money. They have a short-term financial strategy that relies primarily on seizures and confiscations they classify as taxes. Relatively little comes even from oil revenues, and an even smaller amount comes from the sale of antiquities. The information comes from terrorism researcher Aymenn Jawad al-Tamimi, who has secured leaked documents from the IS’ financial ministry for a portion of Eastern Syria.
As he pointed out, without firm numbers, estimating just how much revenue ISIS can scrape together from its territories has been a guessing game. Estimates are based on potential revenue from sales of oil and gas; antiquities; taxation; and other streams of revenue. But now we have some firmer figures.
Zelin analyzes the data and concludes based on these documents:
The Journal of Near Eastern Archaeology has a special issue covering the “Cultural Heritage in the Middle East”. There are ten contributions covering Iraq, Syria, Egypt, Libya, and Afghanistan. All of the contributions are available on JSTOR. From the contents:
Alexander Bauer, Chief Editor of the International Journal of Cultural Property has written an editorial arguing the destruction in Iraq and Syria though tragic also allows new approaches which can move beyond the old entrenched cultural property arguments. From the introduction:
In the dozen years I have edited the IJCP, I have chosen not to write editorials, as I have preferred to let the content of the journal speak for itself. As this issue was going to press, however, a series of events unfolded that I felt needed to be addressed. Over the past months, the self-proclaimed “Islamic State” (“IS”)—an armed militia with neo-medieval political aspirations in war-torn Syria and Iraq—has undertaken a direct assault on the archaeological remains of northern Mesopotamia, claiming that such art is idolatrous and thus forbidden in Islamic law. While looting of archaeological sites has been widespread and systematic in the region for at least the past two years, the destruction garnered international headlines in February and March 2015 when IS put sledgehammers to Assyrian statues and other artifacts in the museum of Mosul, then proceeded to bulldoze and ransack the spectacular sites of Nineveh, Nimrud, and Hatra, among others. The wantonness and scale of these destructive acts have been shocking, and certainly for anyone concerned with the preservation of cultural heritage, a terrible tragedy. This almost immediately brings to mind parallels with the Taliban’s destruction of the Bamiyan Buddhas, whose destruction fueled a resurgence of arguments in favor of Western museums’ collection of antiquities in order to “save” them from a similar fate. Of course, the Bamiyan episode was not so straightforward, and in some ways, the efforts of Western organizations to intervene on the Buddhas’ behalf may have made matters worse.Arguably, the destruction in Iraq and Syria is even more widespread, insidious, and complicated. It is thus difficult to know how best to respond to it, and what the implications of any responses will be.
In spite of the complexity of the situation, I want to address and critically confront three reactions that are likely to develop or be reinvigorated within current debate on how to respond to such destruction. It is my hope that we can use these terrible events to discuss new ways of approaching the issues of heritage acquisition and preservation rather than fall back into old and counterproductive positions.
It’s an important statement, and one that the Journal has made publicly available free of charge.
I argue in a Saturday Op-Ed that one way to think about the iconoclasm of so-called Islamic State militants is to value the art they would destroy:
The Islamic State militants destroy art to send a powerful and destructive message: that learning, beauty and the transformational power of art has no place in any so-called Islamic State. We can expose the lie in this message in one simple way: by supporting ancient and contemporary art from the region.
Our city demonstrates how effective an ambassador art can be. Houston stands proud as one of America’s emerging cities for terrific art from all over the world, especially art from the Middle East. Works of art that formed the Houston-based FotoFest 2014 Biennial are currently on display at the Emirates Palace Gallery in Abu Dhabi. Also, the Museum of Fine Arts, Houston (MFAH) has an outstanding collection of Islamic art spanning the 9th to early 20th centuries; beautiful calligraphy and other decorative art that demonstrates the region’s commitment to learning and beauty.
We should encourage the MFA and other museums to responsibly display more works of Islamic art from this troubled region. By countering the vile message of the Islamic State by consuming and valuing Islamic art, we value and preserve what they would destroy.
Daniel Silas Adamson has an outstanding longread which lays out the 19th century history of the three figures who were largely responsible for rediscovering Assyrian civiliztion: George Smith, Hormuzd Rassam, and Austen Henry Layard. He also puts the current destruction of art by the so-called Islamic State in context. Here’s a terrific account of the emergence of the epic of Gilgamesh: