art, heritage, & law
The excellent podcast, Stuff You Missed in History Class, (hosted by Tracy V. Wilson and Holly Frey) has a useful overview of the chronology of the taking of the Parthenon Sculptures by Lord Elgin and his agents. It’s a useful overview, and will likely be of particular use for students or newcomers to the long-running dispute. Useful details include Elgin’s bitter divorce, and the reminder that it was never a good thing to draw the ire of Lord Byron.
Best of luck to the teams competing this weekend at the national cultural heritage moot court competition in Chicago. The competition is run by DePaul’s moot court society and the Lawyer’s Committee for Cultural Heritage Competition.
Given that 2016 marks the 200th anniversary of Parliament’s decision to purchase the sculptures from Lord Elgin, it is apt that this years problems deals with two issues over whether a U.S. Court would have jurisdiction and should hear a suit between the British Museum and the Acropolis Museum.
Co-sponsored by the Lawyers’ Committee for Cultural Heritage Preservation, the National Cultural Heritage Law Moot Court Competition is the only moot court competition in the world that focuses exclusively on cultural heritage law issues. The Competition provides students with the opportunity to advocate in the nuanced landscape of cultural heritage, which addresses our past and our identity, and which has frequently become the subject of contentious legal debates and policies. This dynamic and growing legal field deals with the issues that arise as our society comes to appreciate the important symbolic, historical and emotional role that cultural heritage plays in our lives. It encompasses several disparate areas: protection of archaeological sites; preservation of historic structures and the built environment; preservation of and respect for both tangible and intangible indigenous cultural heritage; the international market in art works and antiquities; and recovery of stolen art works.