A new documentary examining the theft of the Quedlinburg treasures by an American soldier, and their return:
The Liberators TRAILER from Cassie Hay on Vimeo.
art, heritage, & law
A new documentary examining the theft of the Quedlinburg treasures by an American soldier, and their return:
The Liberators TRAILER from Cassie Hay on Vimeo.

On Monday, on the blog Jihadology, we got some fresh insight into how ISIS makes its money. They have a short-term financial strategy that relies primarily on seizures and confiscations they classify as taxes. Relatively little comes even from oil revenues, and an even smaller amount comes from the sale of antiquities. The information comes from terrorism researcher Aymenn Jawad al-Tamimi, who has secured leaked documents from the IS’ financial ministry for a portion of Eastern Syria.
As he pointed out, without firm numbers, estimating just how much revenue ISIS can scrape together from its territories has been a guessing game. Estimates are based on potential revenue from sales of oil and gas; antiquities; taxation; and other streams of revenue. But now we have some firmer figures.
Zelin analyzes the data and concludes based on these documents:
Continue reading “Leaked records hint at how much ISIS makes on antiquities”
The Journal of Near Eastern Archaeology has a special issue covering the “Cultural Heritage in the Middle East”. There are ten contributions covering Iraq, Syria, Egypt, Libya, and Afghanistan. All of the contributions are available on JSTOR. From the contents:
Continue reading “Special Heritage issue of Near Eastern Archaeology”
Maria Nudelman in a student note for the Fordham International Law Journal discusses “Who Owns the Scythian Gold? The Legal and Moral Implications of Ukraine and Crimea’s Cultural Dispute”.
From the introduction:
Continue reading “Student Note on the Scythian Gold from Crimea”

I’ve posted on SSRN a short paper discussing the Menil Foundation’s stewardship of the Lysi Frescoes. Given how much art is in jeopardy in the middle-East at the moment, it may be worth revisiting the Menil Foundation’s courageous decision to purchase, restore, and return these frescoes. It highlights that permanent acquisition is not the only way for museums to acquire new material.
From the abstract:
The return of works of art by museums to nations of origin has generated considerable scholarly response, yet there has been little engagement with the potential role museums could have as responsible stewards for works of art that are at risk. One important example can be seen in the actions of the Menil Foundation. The Menil, with the permission of the Church of Cyprus, conserved a series of frescoes and created a purpose-built gallery on the Menil campus in Houston to safely house them. It was a novel solution to the problems caused by the situation in Cyprus. Acquiring and saving these thirteenth century frescoes gives an important template for the rescue and conservation of works of art that are at risk, but also exposes similarly-situated actors to the moral dilemma of purchasing looted art with the consent of the original owner.
The Rescue, Stewardship, and Return of the Lysi Frescoes by the Menil Foundation (September 10, 2015). 22 International Journal of Cultural Property 1, 1-14 (2015). Available at SSRN: http://ssrn.com/abstract=2661091
CBS News has some terrific first-hand reporting of antiquities smuggling from Apamea to Istanbul in a video report. Nothing here comes as much of a surprise sadly, but it confirms what we all suspect has been happening. A Roman mosaic, and various other portable objects, including some Roman glass (some of which the report points out may have been fakes).
Continue reading “CBS report: Antiquities Smuggling from Syria to Istanbul”
It includes interviews with Archaeologist Michael Danti, and Agent Brenton Easter from ICE:

In yesterday’s Houston Chronicle, I argued that Museums and arts patrons need to follow the example of the Menil Foundation and offer safe harbor for works of art: Continue reading “Op-Ed: Syria will need its culture”
“A human life doesn’t have much value without culture to go with it” says Markus Hilgert, director of the Pergamon Museum. He’s interviewed in a CNN profile of Heritage for Peace, a group working to document the destruction taking place there. The group walks a delicate line, trying not to take a stand in the dispute. The group has limited funding and works with a number of volunteers with founder Isber Sabrine:
A 29-year-old archaeologist from a village near the Mediterranean coast in western Syria, Sabrine is using modern technology to trace and document the looting and destruction of his country’s ancient heritage.
Working from Berlin, he runs a network in Syria of around 150 volunteers — archaeologists, architects, students and simply concerned citizens — who often pose as antiquities buyers to see what has been stolen in the course of Syria’s now more than four-year uprising. He communicates with them via Skype when the Internet in Syria is working, which isn’t often.
“They go to the locals and they say look, we are interested. They cannot buy, but at least they make photos and they send us photos,” says Sabrine. “Like this we have a list of looted materials from Syria.”
That list is shared with law enforcement, auction houses and collectors. CNN asked if we could publish some of those photographs — we saw statues, mosaics and coins — but Sabrine declined for fear the photos might expose the volunteers.
After years of chaos, the market for stolen antiquities is flooded, and dealers are holding back some of their most valuable items. “We know that the most important objects don’t go to market now,” says Sabrine. “The big dealers are waiting, maybe two, three or four years, and then when the opportunity is right, they will sell.”

In remarks marking the opening of the 39th session of the World Heritage Committee in Bonn, Germany yesterday, UNESCO Director-General Irina Bokova asked for help from the international community:
Heritage is under attack today. In Syria, Iraq, Libya and Yemen, we see the brutal and deliberate destruction of heritage on an unprecedented scale. This is a call for action . . . Our response to ignorance and criminal stupidity, must also have a cultural dimension: knowledge, the sharing of Islam’s millennial learning and wisdom, sharing the message of Palmyra, the ‘Venice of the Sands’, that is like a bridge between the legacies of ancient Greece and Rome, the Persian Empire and the Arab culture from ancient times to the present. . .
That is a wonderful sentiment, and one I endorse, but note also that there are not calls for much in the way of concrete action. And that’s because short of military intervention there really is not much that can be done to dissuade those bent on erasing heritage. In a statement today the UNESCO World Heritage Committee stated its deep concern about the situation in Palmyra:
Intentional attacks against buildings dedicated to religion, education, art, science or charitable purposes and historic monuments may amount to war crimes . . .
So it may amount to war crimes, yet the International Criminal Court has no good opening to bring charges even if it wanted to. That’s because neither Syria nor Iraq has signed on to the ICC convention, and the individuals who commit this destruction are not high-profile enough it seems to warrant an ICC investigation and prosecution anyway. And so the end result is there is an accountability gap for this destruction.
Marina Lostal arrived at the disappointing conclusion that prosecution of ISIS iconoclasts is difficult under current law:
[T]he legal bases for prosecuting individuals for violations of the 1954 Hague Convention and the World Heritage Convention are largely absent. Those responsible may be prosecuted under the Syrian Antiquities Law, a law that was presumably approved independently of those conventions and hence present a number of caveats explained above. If the Chautauqua Blueprint is successful, it would turn a blind eye to three major causes of damage (viz. looting, use for military purposes, attacks against sites that constitute military objectives) allowing those behind this vicious circle of violations to “walk away.” This is especially frustrating if one takes into consideration that the driving force behind the adoption of conventional laws for the protection of cultural property has mostly been motivated by a desire to hold individuals accountable. The accountability gap shown in the case of Syria should serve those involved in the implementation of cultural heritage laws (e.g., UNESCO, the World Heritage Committee at the international level) as a warning that the 2003 UNESCO Declaration, or any other instrument before that, did not manage to have consequences for Bamiyan or beyond.
So if there is one thing that can be done, it may be to consider reforms to the current laws to hold those who destroy heritage individually accountable. But that change would have little impact on the current conflict in Syria.
DAVID RISING Associated Press, UN: Islamic State Destruction of Heritage Sites a War Crime, ABC News (Jun. 29, 2015), http://abcnews.go.com/International/wireStory/islamic-state-destruction-heritage-sites-war-crime-32100589.
United Nations News Service Section, UN News – As World Heritage Committee opens session, UNESCO urges protection of sites targeted for destruction, UN News Service Section (Jun. 28, 2015), http://www.un.org/apps/news/story.asp?NewsID=51279.
Sangwon Yoon, Islamic State Is Selling Looted Art Online for Needed Cash, Bloomberg.com, http://www.bloomberg.com/news/articles/2015-06-28/isis-has-new-cash-cow-art-loot-it-s-peddling-on-ebay-facebook.
Derek Fincham, Display of Islamic Art Exposes Terrorists’ Lie, Houston Chronicle, Apr. 3, 2015, http://www.chron.com/opinion/outlook/article/Fincham-Display-of-Islamic-art-exposes-6178172.php.
Marina Lostal, Syria’s World Cultural Heritage and Individual Criminal Responsibility, 2015 International Review of Law 3 (2015).