Tag: Intentional Destruction

A Whale of a Moral Rights Claim in Dallas

Aerial view of a cityscape featuring tall skyscrapers, a large blue mural on a building, and a parking lot with several parked cars.
Julio Cortez/Associated Press

A large mural depicting dolphins swimming in the ocean, located on the side of a building. The mural showcases a blue water scene with clouds and marine life, set against an urban backdrop with a parking lot filled with cars.
History of the Dallas, Texas Wyland Whaling Wall 82
-Ocean Life
Whaling wall 82
Texas Utilities Building
505 Akard Street Dallas, Texas
Back: 164 Feet Long x 82 Feet High
Side: 50 Feet Long x 78 Feet High
Dedicated April 16, 1999

For nearly three decades, Wyland’s Whaling Wall 82, also known as Ocean Life, covered two sides of a downtown Dallas parking garage at 505 N. Akard Street. Painted in 1999, the mural showed blue whales and other marine life swimming across a landlocked city. Then, ahead of the 2026 World Cup, the whales began to disappear under blue paint.

The plan, apparently, was to replace Wyland’s mural with World Cup-related images. Dallas and North Texas are preparing to host nine matches, more than any other World Cup host city. The problem is what had to be erased to make the gesture possible.

The reporting has been especially grim because the loss seems to have resulted less from one dramatic act of hostility than from a chain of institutional shrugging. Someone identified the wall as a good site. Someone noted that the mural was old. Someone checked whether it was part of the City of Dallas public art collection. It was not. Someone apparently assumed that was enough. And then, as Robert Wilonsky wrote in the Dallas Morning News, “someone said: Here’s a wall you can probably paint over. And because no one else said: No.”

Wyland says he was not consulted before the work was painted over. His lawyers have reportedly issued a cease-and-desist letter invoking the Visual Artists Rights Act, the federal moral rights statute that protects some works of visual art from intentional destruction, distortion, mutilation, or modification. The legal questions will turn on facts that are not yet fully public: whether there was any waiver, what agreements governed the original installation, who controlled the wall, and whether the mural qualifies as a work of recognized stature.

But if public recognition matters, the reaction to the erasure is itself part of the story. A work does not have to be in a city collection to matter to a city.

That distinction is important. Public art is not only the art a city formally owns. It is also the art a public comes to know. A mural can become part of a place even if it sits on private property.

The World Cup angle makes the whole episode sharper. Mega-events arrive wrapped in the language of unity, celebration, legacy, and global connection. They also arrive with deadlines, sponsors, temporary beautification, and a tendency to flatten local meaning into marketable spectacle. Cities are asked to show off for outsiders. Too often, that means clearing away the awkward, faded, beloved, or locally specific thing and replacing it with something smoother.

There is also a wider unease surrounding the U.S. hosting of the World Cup this year. Reports suggest that hotel bookings in many U.S. host cities are softer than expected. AP reported that hotel demand has been lighter than anticipated in most of the eleven U.S. host cities, with operators pointing to international travel concerns, visa delays, high ticket prices, and transit costs. Al Jazeera, citing an AHLA survey, reported that many hotel operators saw bookings below initial forecasts, with visa barriers and geopolitical concerns among the cited reasons.

That matters because the World Cup is supposed to be an invitation. Yet the United States is hosting it at a moment when many people have good reason to ask what kind of invitation is being extended.

Immigration enforcement is part of that anxiety. The federal government has reportedly left open the possibility that ICE activity could occur around World Cup events. And this tournament is arriving after a the brutality of immigration enforcement in which the deaths of Alex Pretti and Renée Nicole Good in Minneapolis became symbols of state violence.

So when Dallas paints over a beloved mural to make room for World Cup imagery, the episode lands in an already uneasy atmosphere. It is not only about marine conservation. It is about the strange promise that a mega-event will showcase local culture while the machinery of preparation helps erase it.

There were obvious alternatives. Caitlin Clark at D Magazine asked the simplest question: why not use a vinyl banner? The World Cup lasts 39 days. The mural had previously been covered by advertising and later re-emerged. A temporary covering would have allowed Dallas to celebrate the tournament without permanently destroying a work that had become part of the city’s visual fabric.

Instead, Dallas now has a legal controversy, an angry artist, national attention, and a half-erased mural. Organizers have said that a portion of Wyland’s mural will be preserved as a tribute. But preserving a remnant after painting over the work is a strange kind of tribute. It is a bit like knocking down a historic building and saving a doorknob.

This story may become an important VARA dispute. It may tell us something about murals, private property, public memory, and the continuing importance of moral rights in the United States. But even before the legal issues are resolved, the cultural lesson is clear enough.

If a city wants to host the world, it should begin by paying attention to what its own people already value. The whales were not just old paint. They were part of Dallas’s public memory. And in trying to manufacture a legacy for a global event, the city may have destroyed one it already had.

Caitlin Clark, The Downtown Dallas Whale Mural Drama, Explained (updated May 18), D Magazine (last visited May 21, 2026).

Dallas Express, Cease-and-Desist Issued As Crews Cover Dallas Landmark Whale Mural For World Cup, Dallas Express (May 20, 2026).

Jesus Jiménez, A Beloved Whale Mural in Dallas Is Painted Over Ahead of the World Cup, The New York Times (May 19, 2026).

Robert Wilonsky, All the Mistakes that Led to the Extinction of Wyland’s Dallas Whale Mural, Dallas Morning News (May 18, 2026).

Jamie Stengle, An Outcry Erupts as a Whale Mural Beloved by Many in Dallas is Replaced with Art for the World Cup, AP News (May 19, 2026).

Urgent Legal Battle: Wyland Fights Dallas Mural Paint-Over, NewsRadio 1080 KRLD (last visited May 21, 2026).

Philip Marcelo, U.S. Hotel Operators Say Promised Boon from Hosting World Cup Hasn’t Materialized Yet, AP News (May 12, 2026).

AFP, Low U.S. Hotel Bookings Paint Grim Hospitality Picture at the World Cup, Al Jazeera (May 6, 2026).

Melissa Hellmann, Eight People Have Died in Dealings with ICE So Far in 2026. These Are Their Stories, The Guardian (Jan. 28, 2026).

Maanvi Singh & agencies, ICE Officer Charged over Shooting of Venezuelan Man in Minnesota, The Guardian (May 18, 2026).

Reuters, Minnesota Officials Charge ICE Agent in Shooting of Venezuelan Immigrant, Reuters (May 18, 2026).

A dark threat to commit crimes against Iranian culture

Letter, Gen. Dwight D. Eisenhower, Commander-in-Chief, AFH to All Commanders, Subject: Historic Monuments, December 29, 1943 (via).

The treatment of cultural heritage during armed conflict has received an unwelcome wave of attention after President Trump made the decision to threaten Iranian cultural sites with an attack over the weekend. In a series of tweets on Saturday, Trump stated that “if Iran strikes any Americans, or American assets,” that the United States has targeted 52 Iranian sites. This troubling threat would violate the Pentagon’s own War Manual, and the 1954 Hague Convention on Cultural Property in the Event of Armed Conflict. Article 4 of the 1954 Convention requires Parties to respect cultural property by refraining from using such property or its surroundings for any purpose which may lead to its damage or destruction.

This is the kind of shortsighted and callous thinking I never thought I’d see displayed by an American President. But sadly President Trump has joined many of the absolute worst leaders in history in choosing to threaten the culture of another people. The threat marks a sharp reversal of decades of work done by the State Department and others in American public life to protect and preserve the cultural heritage of all nations. What a disgrace.

It might be useful to compare the current President’s callous indifference to culture with that of General Dwight D. Eisenhower. In 1943, during the Second World War, General Eisenhower issued an order to his commanders to protect monuments and culture on the eve of the allied invasion of Italy:

Today we are fighting in a country which has contributed a great deal to our cultural inheritance, a country rich in monuments which by their creation helped and now in their old age illustrate the growth of the civilization which is ours. We are bound to respect those monuments so far as war allows.


If we have to choose between destroying a famous building and sacrificing our own men, then our men’s lives count infinitely more and the building must go. But the choice is not always so clear-cut as that. In many cases the monuments can be spared without any detriment to operational needs. Nothing can stand against the argument of military necessity. That is an accepted principle. But the phrase ‘military necessity’ is sometimes used where it would be more truthful to speak of military convenience or even of personal convenience. I do not want it to cloak slackness or indifference.

Note that there was no hint of military necessity in Trump’s words.

A wave of sharp condemnation has followed the President’s threats, more than I can catalog here. The Archaeological Institute of America called “upon President Trump and the U.S. Department of Defense to protect civilians and cultural heritage in Iran, and to reaffirm that U.S. military forces will comply only with lawful military orders.”

Brian Daniels and Patty Gerstenblith in a letter to the New York Times argued:

The world community, including the United States, has rightly condemned the intentional destruction of cultural heritage for decades. Hitler’s Germany, Pol Pot’s Khmer Rouge, the Taliban in Afghanistan, the Islamic State and the Assad regime in Syria intentionally destroyed cultural heritage in the absence of any military necessity. If Mr. Trump carries out this threat, the United States will join the ranks of these destroyers of the world’s cultural legacy.

Brett McGurk, the former U.S. special envoy for fighting ISIS tweeted that “American military forces adhere to international law. They don’t attack cultural sites.”

In an OpEd in the LA Times Prof. Sara Bronin argued “A nation that willfully destroys another country’s heritage would be no better than the criminals who have destroyed irreplaceable sites in Syria, Afghanistan, Iraq and elsewhere in recent years.”

Writing for the Guardian, Simon Jones argued that the “threat to destroy the sites of ancient Persia should send a shiver down the spine of any civilised person.”

Writing in the Art Newspaper, Francesco Bandarin, a former senior official at UNESCO rightly pointed out that “[t]he territory of modern Iran has been home to some of the greatest civilisations of mankind from prehistory to classical antiquity down to modern times. Iran today has 24 sites on the Unesco World Heritage List. A deliberate attack would presumably target historic cities and monuments or archaeological areas.”

On Sunday, John Bellinger III, a legal advisor for the State Department under President George W. Bush from 2005 to 2009 called on Defense Secretary Mark Esper and the Chairman of the Joint Chiefs of Staff Mark Millet to publicly affirm that the United States will still comply with the 1954 Hague Convention. He also argued that the White House should learn the domestic and international law rules that govern the use of military force.

One of those reasons that ignorance is so costly of course is that when a culture is targeted, that makes any mission or conflict existential, and makes an ultimate victory more difficult and costly to achieve. Any thinking leader would appreciate this simple fact.

Continue reading “A dark threat to commit crimes against Iranian culture”

Air strike damages Iron Age temple of Ain Dara

Ain Dara, with a view of the entrance to the temple showing the footsteps carved in the floor, which were meant to show the path of the divine entering the temple. Via Wikimedia.

Bombs have destroyed much of the Iron Age temple of Ain Dara in Northern Syria. Reporting indicates the temple was the target of an air strike conducted by Turkey. The temple dated to the 9th century BCE, and was perhaps of a similar design to Solomon’s Temple in Jerusalem. The Hittite temple had survived for 3,000 years, and it has been reported that the temple was deliberately targeted.

Here is a similar view of the temple after the airstrike:

An image of the complex after the alleged Turkish air strikes provided by the Syrian Directorate-General of Antiquities and Museums

The damage seems extensive. Martin Bailey reported for the Art Newspaper that:

Turkey’s air force bombed Ain Dara as part of its military offensive against the Syrian militia YPG (People’s Protection Units), a mainly Kurdish faction which is fighting for autonomy from the Damascus regime of president Bashar al-Assad. The Ankara government is concerned that Syrian Kurds are supporting Kurdish separatists and terrorists in Turkey.

A large basalt lion, discovered in 1955 via wikimedia.

 

There are claims that the temple was deliberately targeted, an action that would certainly contravene the 1954 Hague Convention on the Protection of Cultural Property during armed conflict. It may even be classified as an action of intentional destruction. The temple has been photographed and documented, so at least some of this damage may be alleviated with modern reconstructions.

Here is some first-hand video from AFP:

International law was unable to prevent this destruction, the open question is whether it will provide a remedy. And if there is a remedy, who will seek it? Syria? A Kurdish state?

 

The Timbuktu Destruction Prosecution Begins

A traditional mud structure stands in the Malian city of Timbuktu May 15, 2012. Picture taken May 15, 2012. REUTERS/Adama Diarra
A traditional mud structure stands in the Malian city of Timbuktu May 15, 2012. Picture taken May 15, 2012. REUTERS/Adama Diarra

This week at the ICC the trial of Ahmad al-Faqi al-Mahdi began. He stands accused of directing the destruction of medieval tombs and a mosque, all world heritage sites, and all a part of Timbuktu’s 15th century heritage. Owen Bowcott reports for the Gaurdian that:

 

No Taliban or al-Qaida leader was charged with the destruction of Afghanistan’s sixth-century Bamiyan Buddhas, which were dynamited in 2001. Khmer Rouge genocide trials did not deal with the looting of Cambodia’s Hindu temples. Nor have Islamic State leaders been indicted for destroying Assyrian statues from Nineveh or razing Roman ruins in Palmyra.

The damage inflicted on Timbuktu, known as “the city of 333 saints”, followed the rebellion of al-Qaida-inspired Tuareg militias, armed with weapons from Libya, in the central African state in 2012.

Faqi, a local ethnic Tuareg, is said to have been a member of Ansar Dine and the head of Hesbah, known as the Manners’ Brigade, which considered the mausoleums – built to pay homage to deceased saints – to be blasphemous.

He is accused of directing attacks on 10 ancient mud-brick buildings in June 2012 and July 2012. One of the desecrated sites was the Sidi Yahya mosque, built in 1440 when Timbuktu was a regional centre for learning. It contained Prof Sidi Yahya’s mausoleum.

Continue reading “The Timbuktu Destruction Prosecution Begins”

A roundup of the Intentional Destruction in Iraq and Syria

Destruction of an unidentified king of Hatra by militants in 2015
Destruction of an unidentified king of Hatra by militants in 2015

There has been a series of reports which shows self-declared Islamic State militants causing severe damage to antiquities and heritage sites in Iraq and Syria: at the museum in Mosul, perhaps causing destruction at sites such as the Nergal gate in Ninevah, perhaps destruction at Hatra, and maybe even damage to the ancient city of Ninevah as well. The volume of reporting is hard to digest fully, but the news is almost all very very bad.

Reporting on these events is exceedingly difficult as these areas are controlled by the so-called Islamic State. When we consider that foreign reporters and aid workers have been kidnapped and killed in public executions when their ransoms are not paid, we can see how precarious and difficult it will be, and how patient we all must be in waiting for confirmation of destruction.

Continue reading “A roundup of the Intentional Destruction in Iraq and Syria”

UNESCO Director General Bokova on Protecting Cultural Heritage during conflict

Damage in Aleppo, Syria

In an op-ed for the IHT UNESCO Director General Irina Bokova discusses the damage done to cultural sites in northern Mali, Syria and elsewhere. She argues that “Culture stands on the frontline of conflicts, deliberately targeted to fuel hatred and block reconciliation.” That’s exactly right I think. The challenge will be what the rest of the world can do to prevent and repair this destruction.

She outlines the concrete steps UNESCO is taking: crafting an international legal framework, building stronger culture coalitions, and use culture to prevent conflicts:

Unesco works across the globe to harness the power of culture to bring people together and foster reconciliation. I saw this personally when Unesco helped restore the Old Bridge in Mostar, Bosnia Herzegovina, destroyed during the war in the 1990s. We saw the same power during the restoration of the Koguryio Tombs complex in North Korea, undertaken with the financial support of South Korea. This might sound high-minded compared to the terrible news we hear every day from conflict zones. And it is true that culture alone is not enough to build peace. But without culture, peace cannot be lasting. The world thought big when the convention was adopted in 1972. We need to think big once again, to protect culture under attack. We often hear that protecting culture is a luxury better left for another day, that people must come first. The fact is, protecting culture is protecting people — it is about protecting their way of life and providing them with essential resources to rebuild when war ends. This is why, for culture also, there is a responsibility to protect.

  1. Irina Bokova, Culture in the Cross Hairs, The New York Times, December 2, 2012, http://www.nytimes.com/2012/12/03/opinion/03iht-edbokova03.html (last visited Dec 3, 2012).
Questions or Comments? Email me at derek.fincham@gmail.com

More Bad News for Heritage in Mali and Timbuktu

Intentional destruction of an ancient shrine in Timbuktu in July

Destruction in Mali appears to be ongoing:

In the searing summer heat, and against a stifling climate of fear, the Ansar Eddine is ratcheting up the pressure. In late July the group gave the order for the city’s centuries-old Sufi mausoleums to be leveled, declaring them to be at odds with their own hardline blend of Islamic faith. A UNESCO World Heritage site, Timbuktu has for centuries been associated with Sufis, a mystical and spiritual fraternity, themselves closely connected with Islam. More than 200 Sufi saints are buried in free-standing mausoleums and within the compounds of mosques, tombs that have become the latest target of the Defenders of the Faith. Regarding them as idolatrous, the Islamist militia has taken hammers and shovels to their baked-mud adobe walls. They even destroyed a pair of ancient tombs set in the compound of the city’s celebrated Djingareyber mosque.

  1. Tahir Shah, Trouble in Timbuktu, Newsweek Magazine, 2012,  (last visited Sep 5, 2012).
Questions or Comments? Email me at derek.fincham@gmail.com

Troubling News of Destruction in Mali

This image taken from a video shows armed men smashing a
15th century mosque in Timbuktu on Monday

Members of an armed group in Northern Mali have committed a number of acts of destruction in Timbuktu and the surrounding areas. They have smashed the “sacred door” of one of three ancient mosques. As many as six other mausoleums have been intentionally destroyed. Intentional destruction during armed conflict presents difficult problems, and Mali has asked the international community for concrete assistance.

The first step is a threat by the ICC. The prosecutor of the International Criminal Court Fatou Bensouda has described this destruction as a war crime: “My message to those involved in these criminal acts is clear: stop the destruction of the religious buildings now. This is a war crime which my office has authority to fully investigate”. Her claims may have an impact, but more other concrete steps may be needed to halt this intentional destruction.

The destruction mimics that which took place in 2001 when the Bamiyan Buddhas were destroyed. Extremist groups in Mali are systematically destroying sites. Perhaps urgent action by the ICC, or better yet the United Nations Security Council can halt this systematic destruction.

From Al Jazeera, here is a report showing the destruction:

  1. Pascal Fletcher, Timbuktu tomb destroyers pulverise Islam’s history, Reuters, July 3, 2012, http://www.reuters.com/article/2012/07/03/uk-mali-crisis-timbuktu-idUSLNE86202G20120703 (last visited Jul 3, 2012).
Questions or Comments? Email me at derek.fincham@gmail.com

Destruction and Looting in Syria

AP Photo of destruction in Homs

There are increasing reports of destruction in Syria. Sites like Krak des Chavaliers, Palmyra, Elba, and historic buildings in Homs are all at risk. Government forces in some cases are shelling civilian areas—the Citadel of Al Madeeq has been shelled, with a tragic result for the site and for the inhabitants.

The AP describes the damage: “shells thudded into the walls of the 12th century al-Madeeq Citadel, raising flames and columns of smoke as regime forces battled with rebels in March. The bombardment punched holes in the walls, according to online footage of the fighting.”

There are reports of looting, including some by government forces and others. Rodrigo Martin, an archaeologist who has worked in Syria describes some of the destruction:

We have facts showing that the government is acting directly against the country’s historical heritage,. . . What we know . . . Syrian heritage has already provided a huge quantity of information, but we can safely say that the part that has not yet been studied is even bigger,. . . [the destruction] is like burning a page in the book of history of mankind.

This kind of damage, which approaches intentional destruction similar to the destruction of the Buddhas at Bamiyan will be difficult to prevent. With respect to the looting and damage being done, sadly there are not a whole lot of good options the heritage community can call for, apart from a peaceful resolution of the conflict, and renewed vigilance in the marketplace to watch out for the kinds of objects which looters may be taking from Syria.

  1. Syria’s Cultural Treasures Latest Uprising Victim, NPR.org,   May 1, 2012, http://www.npr.org/templates/story/story.php?storyId=151783292 (last visited May 3, 2012).
Questions or Comments? Email me at derek.fincham@gmail.com