Forgery Revealed in Chicago


Apologies for the light posting this last week. I’ve been away in Dubai with the wife. I’ll talk about why, and talk a bit about my impressions tomorrow. For now I want to talk about the big story which was revealed while I was away: the forgery by Shaun Greenhalgh, whom I talked about earlier here.

Tyler Cowen first revealed the Paul Gauguin sculpture was a fake after Jim Cuno told the staff of the Art Institute of Chicago was a fake. Donn Zaretsky helpfully collects links to the prominent coverage.

The Art Newspaper has perhaps the best coverage, as it seems it tracked the sculpture to Chicago. Last month the three members of the Greenhalgh family were sentenced over the Amarna Princess. They discovered a Gauguin sculpture had been created by Greenhalgh after talking with Scotland Yard. They then tracked the work to Chicago.

The forged work was consigned to Sotheby’s by “Mrs. Roscoe”, the maiden name of Olive Greenhalgh. It was sold for £20,700. The London dealers Howie and Pillar purchased it, and it was later sold to the Art Institute for $125,000. The purchase was hailed as a success. Martin Bailey asks why nobody questioned the authenticity? The real sculpture has been missing, the forgery was based on a faun sketch dating to 1887. It seems Sotheby’s is expected to reimburse the Art Institute of Chicago. I think this reveals at least two troubling matters.

First, how many more forgeries are out there? How easy is it to trick authenticators? The best in the world looked at this sculpture and were duped. Perhaps they wanted to believe a little too much. Also, when visitors (and even experts) looked at the sculpture did it convey emotion? How much did that have to do with the beauty of the object itself; and how much was related to the idea that this small work was created by a “great” artist, Paul Gauguin?

Second, I think it reveals the continuing need for more provenance information in art and antiquities sales. The answer may be for an international registry which tracks buyers and sellers when objects are bought and sold. Until such a system emerges, the market continues to leave itself open to this kind of embarrassment.

Questions or Comments? Email me at derek.fincham@gmail.com

Lex Situs Conference last Friday


Last Friday in London I had the great pleasure to present a bit of my own work at the Lex Situs seminar organized by the Institute of Art and Law and sponsored by Withers LLP. Incidentally there is another seminar tomorrow which looks to be interesting as well, on the consideration of anti-seizure legislation.

It was an enjoyable afternoon, and a lot of fun for me to hear what people like Prof. Norman Palmer, Kevin Chamberlain, and Marc-André Renold had to say on the topic, as I’ve read and relied on their work a great deal in the last few years.

The highlight for me was hearing from Jeremy Scott, of Withers LLP who represented Iran in the recent high court case with Barakat galleries. It may be useful for people to know a bit about what the speakers had to say on this rule. For the non-law readers, apologies if this post is a bit lawyerly, but some of these private legal concepts are a bit involved.

The lex situs rule essentially dictates that when a stolen piece of cultural property crosses national boundaries, and laws conflict, the law of the jurisdiction where the sale took place (i.e. lex situs) will apply. This is a nearly unanimous rule which applies to movable objects. Two speakers gave particularly good insights.

Dr. Janeen Carruthers, a reader at the University of Glasgow gave a very informative overview of the whole scope of the lex situs rule. It was great to hear her thoughts, as an expert on Private International Law. She had some interesting things to say, especially arguing clandestine removal may have many things in common with the clandestine removal of antiquities, and this similarity may be a useful tool for arguing the lex situs rule should not perhaps hold the prominent position it does today.

I also particularly enjoyed hearing Professor Johan Erauw of the University of Ghent in Belgium talk about Talk about a new Belgian amendment to the Code of Private International Law in 2004 which provided for a lex originis choice-of-law rule in certain limited circumstances. It was an interesting amendment of the general rule, but he argued persuasively that the rule was substantially weakened, and the reasons may be tied to certain Belgian museums, who were concerned about losing some or all of their collection with a new more generous rule for source nations.

Given such a distinguished panel, I set the bar pretty low for myself. My main argument, and perhaps its one that’s more common sense than anything, is that the lex situs rule is ill-equipped to regulating and limiting the illicit trade in art an antiquities. I do think a convincing and compelling policy argument can be made that the general lex situs rule governing title to movable objects across national boundaries should be limited in some situations, and in fact this is the approach taken by Belgium.

When public international law offers no remedy, claimants are often forced to seek redress through private law. Of course all nations forbid theft; and every jurisdiction recognizes that a thief cannot possess superior title to the original owner. The classic dispute in cultural property litigation does not involve the original owner and the thief, but rather the original owner and a subsequent purchaser. Both of these parties are relative innocents. The difficulty in private international law disputes hinges on the ways in which different states have chosen to allocate burdens, rights and responsibilities between these two relative innocents.

States could take the Belgian approach and use another choice of law principle. There could be a call to reform good faith purchaser rules in Civilian jurisdictions. We might decide that art and antiquities should be registered when they are bought and sold. These all strike me as plausible and sensible reforms, however we must start from the position that the current default legal framework does not effectively distinguish illicit objects. The problem, and its one that’s been noted by many cultural heritage scholars, is that nations and lawmakers too often respond to the illicit trade rather than create a workable legal regime to prevent problems before they occur. The Belgian example strikes me as an important and noteworthy exception to this rule.

Should there be an antiquities market in some form? If the answer is yes, as it currently stands there is not a workable system to ensure antiquities are licit. To erect such a system will require substantial compromise on the part of source nations and the antiquities market. The market will have to radically shift the way it conducts itself to provide adequate safeguards that antiquities are legally excavated or from older collections. In turn, it seems likely that source nations will have to find a way to provide licit antiquities to meet market demand. Until such a compromise is brokered, courts in market nations will continue to be faced with difficult issues.

It was a really enjoyable seminar, and I’d like to thank the organizers and the Institute of Art and Law for being kind enough to allow a PhD candidate to present alongside such an impressive panel.

Questions or Comments? Email me at derek.fincham@gmail.com

Antiquities Arrest in Greece

The AP is reporting today that 2,308 ancient coins have been seized and a 70-year-old barber arrested in northern Greece. The coins mainly date from the Roman and Hellenistic peroid.

Several coins bore the heads of Alexander the Great, the Macedonian warrior king, and his father King Philip.

The man was arrested Sunday near the town of Veroia, 490 kilometers (305 miles) north of Athens. He has been charged with antiquity smuggling and taken into police custody.

Police said they searched the man’s home and unexpectedly discovered the coins after he had been identified by two juvenile robbery suspects as the person who bought their stolen mobile phones and other items.

Questions or Comments? Email me at derek.fincham@gmail.com

Catching Up

Apologies for the light posting in recent days. I’ve been quite busy in the last week. I was fortunate enough to submit my thesis last week, so hopefully the oral examination (with a good result) will take place soon. Also, I had the opportunity to present a bit of my own work at a very interesting seminar on the lex situs rule organized by the Institute of Art and Law, and Withers LLP, which has its own Arts and Cultural Assets Group. I’ll post more on the event later this afternoon. For now I’ll just give a rundown of some very interesting events which have taken place in recent days.

  • Donald Trump’s proposed golf-o-rama just north of Aberdeen has been rejected by the Aberdeenshire Council. To be clear, Trump’s development had little to do with golf, and more to do with holiday homes, a luxury hotel, and mega-houses.
  • Some of the staff at the Portable Antiquities Scheme have started to map finds with google maps.
  • Australian art-authenticator Robyn Sloggett estimates perhaps 1 in 10 works on the market are fake.
  • The Hellenic Society for Law and Archaeology reports on the new Greek Cultural Goods legislation, which will appoint a special cultural heritage prosecutor and purports to extend the expansion of Greek penal law even when crimes have taken place abroad.
Questions or Comments? Email me at derek.fincham@gmail.com

Greek Charges Dropped


Some of the criminal charges against Marion True have been dropped in Greece. Marion True was accused of illegally acquiring this 4th c. BC gold funerary wreath. The wreath had been returned to Greece back in March.

True still faces charges for illegally possessing a dozen antiquities found at her holiday home in Paros last year.

The Hellenic Society for Law and Archaeology has a good overview of the decision. The criminal act allegedly took place in the US, but according to US law was a misdemeanor. As the prosecution took place over five years ago the charges were dismissed. I’m a bit unclear what the US law in question may have been, perhaps future news reports will update that, and I’ll post an update when i learn more. In the end the result isn’t surprising. Surely if serious wrongdoing was implied then the federal prosecutors would have been eager to pursue a prosecution under the NSPA, or at the least initiate forfeiture proceedings.

Questions or Comments? Email me at derek.fincham@gmail.com

Evidence of a Flawed Market


BBC News has an overview of the sentencing of a Family of 3 Art forgers from Bolton, UK. Pictured here is the “Amarna Princess” a fake Egyptian statue which the Bolton Council purchased for more than £440,000. A gallery of a number of the forgeries is here.

Shaun Greenhalgh, 47, has been jailed for four years while his 83-year-old mother, Olive, has been given a 12-month suspended sentence for her part in the con. His father, George, 84, is to be sentenced at a later date.

For successful forgers, the trio had an unremarkable lifestyle. Despite having £500,000 in the bank they lived “in abject poverty”, said police. Olive had never even left Bolton.


Much of the reporting of this arrest and sentencing focuses on the criminals themselves. Shaun Greenhalgh, 47, and his 83-year-old Mother and 84-year-old Father. I however agree with David Gill who asked back in October
[W]hat checks were made? Who made them? And who double-checked in the [National Arts Collection Fund and the National Heritage Memorial Fund]?” From what I can gather, the checks were made, but the letters and other fake provenance was fabricated cleverly to appear genuine. In a market where few checks are made, these probably were far more comprehensive than what usually passes for provenance. Of course there is an eagerness to acquire valuable objects which can sometimes cloud judgment. This story echoes the Getty’s purchase of an unprovenanced Greek kouros, which was purchased in 1983. As far as I know it is displayed today as “Greek, 530 B.C. or modern forgery”.

Of course provenance research could alleviate some these problems, but the current state of the antiquities trade relies on limiting information rather than providing a full picture. If a man living with his parents in Council Housing can fool authenticators at the British Museum and auction houses, isn’t it time for more thorough research when objects are bought and sold? I think so. The sad reality is that these fakes came with far better provenance information than many antiquities which are bought and sold today.

Questions or Comments? Email me at derek.fincham@gmail.com

A Call for Antiquities Leasing

Peter Wendel, a Law Professor at Perpperdine University has written an interesting new article in the most recent edition of the Fordham Law Review, Protecting Newly Discovered Antiquities: Thinking Outside the “Fee Simple” Box, 76 Ford. L. Rev. 1016 (2007). A .pdf version is available here. Here’s the abstract:

Newly discovered antiquities are “mixed goods.” They have a physical component (the object itself) and an intangible component (the archeological and historical information associated with the discovery). This dual nature justifies government intervention into the market, not to capture the positive externalities associated with the antiquity, but to minimize the negative externalities associated with the law of finders. When the typical finder excavates an antiquity, its historical and archeological information is severely damaged, if not destroyed. In response to this problem, source countries have enacted state ownership/retention statutes. These laws, however, have their own negative externalities. They create incentives for finders to turn to the black market to secure financial compensation and to destroy the historical and archeological information to make it more difficult to catch them. This raises the issue of which is worse: market failure or government intervention failure?

Source countries need to create a stronger incentive for finders to report their finds. In theory, this is easy: Pay the finders more. In practice, this is difficult because source countries tend to be antiquities-rich but revenue-poor. A possible solution is a “possessory estate and future interest approach” to newly discovered antiquities. If the finder reports the find, he receives a transferable term of years and the source country receives the future interest. A transferable term of years creates an incentive for the finder to go public with the find—the finder can profit from his or her discovery. The source country receives ultimate ownership of all newly discovered antiquities at minimal cost (Western museums will be the likely purchasers; they will pay for the cost of creating the incentive). A possessory estate and future interest approach could help end the current feud between source countries and Western museums, two entities that should work together to secure and protect newly discovered antiquities, not waste resources fighting each other.

It’s an interesting approach. Wendel justifies his claim by using a law and economics rationale. What he’s advocating is a kind of antiquities leasing, similar in concept to the practice in both England and Wales, and Scotland of rewarding finders. He starts from the position that the strong source regulation of nationalizing antiquities and prohibiting their export does not work. I think most can agree the current legal regime is not working. He then advocates giving finders a kind of limited temporary right, known in the Anglo-American legal system as a “possessory estate” and a “future estate” or ultimate vesting right would go to the source nation. That would allow finders of antiquities to profit off their discoveries, while allowing the source nation to ultimately receive ownership of the object.

In essence he’s making an interesting claim for the use of antiquities leasing and a renewal of the idea of partage, the traditional practice whereby foreign archaeologists would get to take a portion of the discovered objects back to their European or N. American institutions. It’s a pragmatic compromise, and one that may work well in practice. I envision substantial hesitation on the part of source nations to enacting such a system though.

I would welcome a discussion of the merits of this idea in the comments section.

Questions or Comments? Email me at derek.fincham@gmail.com

Results of Italy’s Telethon

Stefano Luppi of the ArtNewspaper (which has made some impressive updates to its website) has the results of Italy’s antiquities telethon which took place Oct. 5-7. Here’s an excerpt:

Culture minister Francesco Rutelli, as well as actors and opera singers, appeared on the state broadcasting channel RAI to describe the plight of the country’s monuments, many left unprotected for lack of funds.Seven monuments were selected to receive the money raised by viewers. These included: Augustus’s villa on the Palatine Hill in Rome, where the frescoes and flooring are decaying from exposure to sun and rain; the village and surrounding area of Santa Maria del Cedro in Calabria, an important site associated with the Enotrians, an early Italic tribe; the Racconigi Royal Park in Cuneo, an English-style romantic 18th-century garden in which the first Italian pineapples were grown, where the 19th-century greenhouse needs conserving; a museum for visually impaired people in Ancona that allows visitors to run their hands along reproductions of sculptures and archaeological finds; a Punic necropolis in Sardinia, dating back to the fourth century BC; Cremona’s centre for the restoration of antique musical instruments which specialises in antique violins and the 19th-century railway line which connects the Sicilian baroque towns of Syracuse, Modica and Ragusa.

Donations are still possible. The fundraising target was $5 million, while it seems close to $4 million has been raised so far. If more funds are needed, might Italy consider selling or leasing some of its antiquities? That probably wouldn’t be a popular decision in Italy, but might help reduce the illicit trade.

Questions or Comments? Email me at derek.fincham@gmail.com

Antiquities Dealer Returns Italian Antiquities


Antiquities dealer Jerome Eisenberg has apparently agreed to return eight antiquities to Italy. Ariel David has an overview for the AP, complete with photos of all the objects.

According to Ariel, Eisenberg, who runs galleries in New York and London, said he bought most of the antiquities at auctions in the British capital in the 1980s, and decided to return them after Italian authorities recently turned up evidence that they were looted.” According to Giovanni Nistri, who leads the art squad of the Carabinieri “This is a dealer who since 1999 has returned of his own initiative other artifacts that came into his possession”.

What is the significance of the return? It appears to be one of the only examples of a dealer voluntarily relinquishing allegedly illicitly-excavated antiquities. It seems the Italians had some kind of iron-clad proof that these objects had been wrongfully removed in some way.

David Gill at Looting Matters argues this agreement to return objects is significant because “It is now clear that the Code of Ethics and the due diligence processes conducted by members of the IADAA are not rigorous enough.” I think he’s exactly right about the lack of effectiveness of Codes of Ethics, but this agreement has little to do with them. These objects were acquired at auctions, sometime in the 1980’s. The acquisition of these objects in the 1980’s doesn’t strike me as an accurate indicator of the current state of the antiquities trade, though it’s badly flawed to be sure.

The more relevant point I think is how effectively the Italian Culture Ministry uses the press in painting a picture of a vast Italian repatriation campaign. An agreement seems to have been concluded months ago. Why is the story appearing now? It seems to be a calculated move. Seldom does a week go by that there is not news of an arrest, agreement for repatriation or the like. Italy and cultural property is in just about every news cycle. Believe it or not, public pressure like this is the single best tool a source nation has to secure the return of objects. This fact speaks volumes about the fatally flawed body of law which attempts to regulate the illicit antiquities trade. Italy is not using the law to seek these objects because it cannot; instead it is exerting tremendous public pressure on museums and individuals.

(AP Photo/Alessandra Tarantino)

Questions or Comments? Email me at derek.fincham@gmail.com

UCL and Incantation Bowls


I’m just catching up on this story, but I wanted to highlight an excellent article by Michael Balter in Science Magazine ($) on the decision by the University College London to suppress a committee report on the investigation into the provenance of a number of Incantation bowls, like this one. David Gill over at looting matters has more on this story as well.

The article and the report it describes both raise troublesome questions over whether researchers and Universities should conduct research using objects of questionable provenance. If they do, they risk lending credibility and provenance to objects which may have been illicitly excavated.

To give a bit of background, “During the 5th to 8th centuries C.E., many people living in Mesopotamia (present-day Iraq) buried pottery bowls under the thresholds of their houses to ward off evil demons. The bowls were inscribed with biblical passages and other incantations in Aramaic, an ancient Semitic language.”

Martin Schøyen owns the bowls and had temporarily donated them to UCL for study. Though the report has not been made public, Balter reveals the report “concludes that the bowls most likely left Iraq illegally sometime after August 1990, when Iraq invaded Kuwait.” Balter indicates the report is careful not to assign any wrongdoing to Schøyen, but does criticize UCL for agreeing to store these bowls without dutifully examining how they were acquired. The investigation concludes Schøyen has solid legal title to the objects, as he has possessed them for the 6-year limitations period under the law of England and Wales, his ethical title to them is far less certain. In the antiquities trade there remains a substantial gap between the state of the law and good ethical practice.

I find it troubling that UCL refuses to release the committee report, though their reticence is perhaps understandable. They are likely wary that the committee report may lead more criticism or potential claims. The reality remains that public laws for the protection of antiquities are not working. The best option a source nation has is often to pursue private claims or a public relations campaign. Both of those are expensive and time-consuming undertakings.

Colin Renfrew, a member of that inquiry, says in the Science article that, “It is shameful that a university should set up an independent inquiry and then connive with the collector whose antiquities are under scrutiny to suppress the report through the vehicle of an out-of-court settlement.”

What UCL should certainly do is make public efforts it will be taking to avoid lending credibility to other collections of potentially illicit antiquities. Because if they had erected such a safeguard prospectively, this dispute could have been avoided.

Questions or Comments? Email me at derek.fincham@gmail.com