I’ve been interested to note in the last few weeks a couple of ideas which may appear to be more closely related than we might think.
First is the general trend of museums increasing their cost of admission. Tyler Green discussed this back in march, when the Philadalphia Museum of Art and the Art Institute of Chicago both indicated admission hikes were on the way. In his Op-Ed in April for the Philadelphia Inquirer Green argued that the special exhibition of “Cezanne and Beyond” at the Philadelphia Museum of Art” results in two museums. Specifically, “[t]he area of the museum that features “Cezanne and Beyond” is available only to those affluent enough to afford the exhibition charge, while the rest of the museum is more accessible to the lower and middle classes.” This is a problem because the museum “is a nonprofit housed in city-owned buildings. It gets about $2.4 million a year from the city and has received millions more in capital funding, with more on the way. So its willingness to effectively redline certain residents out of its programming is improper.”
I think that is an interesting argument, and an important point to make as funding for a lot of projects is tight right now, but particulary art and cultural projects. Without government funding, or other revenue sources, these institutions may be pricing out younger and lower-income visitors. Now, they may have access to culture at some other location, a concert, via the web, or in another way, but long-term this would seem to harm the museums standing among these groups.
Secondly, I wonder how this trend of admissions increases might impact arguments for universal museums. David Gill has been poking holes in many of the ideas in the collection of essays edited by James Cuno “Whose Culture?”. Cuno of course is one of the more outspoken proponents of the acquisition of objects even where they may have been looted or illegally removed from their context. And scholars on both sides go around and around on that argument, and tend to devolve into their entrenched positions with no real progress being made for cultural policy generally. But one argument I don’t see made is whether these Universal Museums may not even be Universal for the inhabitants of the city they are in. Are these rate hikes espousing Cosmopolitan values? If so, don’t we need to apply them equally, whether that applies to the acquisition of a piece lacking history, or to how many and what types of people can come and view these objects? I think it does.
