A judge has dismissed the federal government’s request to reconsider an earlier ruling dismissing the government’s forfeiture request for the Ka Nefer Nefer mask currently on display at the St. Louis Art Museum. Rick St. Hilaire notes the U.S. Attorney must now make the decision whether to appeal the ruling on to the 8th Circuit.
The problem with the government’s initial case—at least in the district court’s view—was the government failed to allege the particular circumstances under which a crime took place as the mask left Egypt. This problem can be examined by referencing recent case law broadening the principle that looted and smuggled objects are considered tainted when they leave their country of origin, even in the absence of direct evidence of wrongdoing. I’m thinking for example of the Barakat ruling in the English High Court which offered claimant nations a broader platform of potential laws with which a nation of origin can claim theft.
But in this case the federal prosecutors had a difficult prospect as Egypt was unable to offer enough evidence establishing a crime had been committed. So despite the research the SLAM conducted when it acquired the mask in 1998, the government was unable to offer enough to convince a judge to forfeit the object and force SLAM to make its case. It is an open question whether the district court would have taken such rulings on board, likely not. But an appeals court is in a more favorable position to make broader inquiries in the law based on policy and foreign authority.
Month: June 2012
Cambodia considers repatriation of two more statues
One of two kneeling statues from Koh Ker, at the Met |
The museum acknowledged that beyond the names of the donors it has no records on the statues’ origins, despite a longstanding policy to investigate the history of donated antiquities. “No one is concealing anything,” said Harold Holzer, the Met’s senior vice president for external affairs. “I’d like nothing better that to find more documentation.” Mr. Holzer cautioned against using current standards for museum collecting to evaluate the propriety of acquisitions dating back more than two decades. “There were no real prevailing restrictions against accepting these works of art,” he said of the period, “especially if, by doing so, they might be protected from disappearance completely from public view and from study.” The Met’s policy in 1992 allowed it to accept works without a detailed provenance. Such acceptance, though, was supposed to come after an effort had been made to root out the history of a piece in case it was illicit.
- Tom Mashberg & Ralph Blumenthal, Cambodia to Ask Met to Return 10th-Century Statues, The New York Times, June 1, 2012.