The Yale Daily News updates two disputes involving Yale University. The first is a dispute involving the Night Cafe by Vincent Van Gogh:
Pierre Konowaloff, the descendant of a Russian aristocrat who once owned the painting, claims it is rightfully his because the Soviet government expropriated it from his family in 1918.
The Soviet government seized “The Night Café” from Konowaloff’s great-grandfather Ivan Morozov as part of the government’s mass nationalization of private property in the early 20th century. Konowaloff claims this constitutes a theft, delegitimizing any subsequent sale or purchase. Therefore, Konowaloff claims, Stephen Clark 1903, who bequeathed the painting to Yale in 1960, never actually owned it.
Clark was a trustee of the Museum of Modern Art and the Metropolitan Museum of Art. In the early 1930s, he acquired the painting from the Knoedler Gallery in New York City, which had purchased it from the Matthiesen Gallery in Berlin, Germany; it was the Matthiesen Gallery that originally bought the painting from the Soviets.
Yale first responded to Konowaloff’s claims of ownership in May 2009, filing a lawsuit to assert the University’s ownership. Konowaloff responded with a counterclaim in March 2009, requesting the return of the painting and over $75,000 in damages.
Yale’s Oct. 5 motion argues that “it is well-established that a foreign nation’s taking of its own national’s property within its own borders does not violate international law,” and that the Soviet government’s original acquisition — and also Yale’s subsequent acquisition — of the painting was legal.
The motion also argues that Konowaloff’s claim came too late, since the statute of limitations for a dispute of ownership of this nature would have expired in the 1960s, three years after Yale publicized its acquisition of the painting.
The second is a dispute involving objects removed by Hiram Bingham from Machu Picchu:
In the case of the Inca artifacts, Yale is arguing it first gained control of the items when they arrived in New Haven in the 1920s, describing them in several Yale publications as part of the museum’s permanent collection.
“Decade after decade, Peru was content to let Yale hold itself out to the world as the owner of the objects,” the Oct. 16 motion reads. “[Peru] disregarded the reasonable time limits imposed by law for bringing its claims.”
- Nora Caplan-Bricker, Yale moves to drop museum suits, Yale Daily News, October 27, 2009.