Massive Art Theft at the Kunsthal museum in the Netherlands

One of the 7 stolen works

In what is being called a well-planned and bold theft, thieves stole seven works in a pre-dawn theft from the Kunsthal museum in Rotterdam. Alarms went off at the museum after 3 am, and security found there were 7 missing works.

Ton Cremers told the Dutch outlet De Volkskrant that the problem may be with the layout of the museum itself, which while great to view art is difficult to secure: “As a gallery it is a gem. But it is an awful building to have to protect. If you hold your face up to the window at the back you have a good view of the paintings, which makes it all too easy for thieves to plot taking them from the walls”.

The large windows at the Kunsthal museum

Many will likely begin imagining what high sums these stolen works could bring on the market. And there will of course be much of the usual speculation about why the works were stolen and how the thieves plan to benefit from their theft. But much of that discussion is moot because these stolen works are now well-known. Images of the stolen works are surely being given to the Art Loss Register, law enforcement agencies, and art dealers, so these works can never be sold in a legitimate market. In one sense then their market value means little.

 They have a kind of value though, in that they are so precious, that the museum, the owners, and the authorities may be willing to take—or at least the thief thinks they will take—the unwise step of paying a ransom. Or other criminals may try to launder some or all of the works through different individuals, in much the same way the Leonardo Yarnwinder was transferred. As a kind of a very beautiful set of poker chips.
It might be possible that a rich mastermind has so-enjoyed these works that he or she hired thieves to steal the art.But these real-life Dr. No’s don’t really exist. I admit it makes for good Bond villains, but there has been no convincing evidence that this is why people are stealing rare objects. Most likely of all, these beautiful clear windows made for such an easy target that the thieves stole first and will decide to worry about selling the works later.

Here is the current list of stolen works:

Pablo Picasso’s Tete d’Arlequin;
Henri Matisse’s La Liseuse en Blanc et Jaune;
Claude Monet’s Waterloo Bridge, London, and Charing Cross Bridge, London;
Paul Gauguin’s Femme devant une fenetre ouverte,
Meyer de Haan’s Autoportrait and
Lucian Freud’s Woman with Eyes Closed.

Questions or Comments? Email me at derek.fincham@gmail.com

Armed Antiquities Theft from the Greek Museum in Olympia

The Museum in Olympia, before the theft

There has been another museum theft in Greece. At 7.30 local time this morning two masked men overpowered a security guard and stole between 60-70 objects. The Museum guard was tied and gagged. The BBC reports that “the robbers – one of whom had a gun – targeted the guard during a shift change, after having already knocked out the alarm.” Most of the stolen items were small bronze, gold, and clay statuettes, which will be very easy to hide, and unfortunately easy to sell. The thieves were dressed in military fatigues, and were well-armed. Police have described it as a “well-calculated” hit. But other reports indicate the thieves spoke only broken Greek, and that they weren’t familiar with the museum, asking where objects like a gold wreath were, even though the museum had none of those objects.

This theft comes after the theft from the National Gallery in Athens, and amid protests and fires which have destroyed some buildings. It also has caused the Greek Culture Minister Pavlos Geroulanos to resign. Connections will be drawn to Greek austerity, but whether it was funding cutbacks which have made this theft possible has not been established. There was a breakdown of security here, and it may be that thieves saw the thefts in Athens and were brazened. A culture ministry official told the AP that the thieves “seem to have operated more as if they were carrying out a holdup”.

Yiannis Mavrikopoulos, head of the culture ministry museum and site guards’ union put the cutbacks squarely at the feet of the bodies urging Greek cutbacks: “The cutbacks imposed by the European Union and the International Monetary Fund have hurt our cultural heritage, which is also the world’s heritage . . . There are no funds for new guard hirings, . . . There are 2,000 of us, and there should be 4,000, while many have been forced to take early retirement ahead of the new program of layoffs. We face terrible staff shortages. As a result, our monuments and sites don’t have optimum protection – even though guards are doing their very best to protect our heritage. ”

  1. Robbery at Ancient Olympia museum, BBC, February 17, 2012, http://www.bbc.co.uk/news/world-europe-17071934 (last visited Feb 17, 2012).
  2. Nicholas Paphitis, Museum robbed at Greece’s Ancient Olympia, Google News, February 17, 2012, http://www.google.com/hostednews/ap/article/ALeqM5hueW4Ohi6iY0JYUbVnIZslcSHwoA?docId=f762a40068e9489dacd391175db3023e (last visited Feb 17, 2012).
Questions or Comments? Email me at derek.fincham@gmail.com