Yesterday we learned that the Kunsthal Museum (I’ve also heard it described as essentially a gallery) had suffered a theft of seven works of art in a late night theft, likely aided by the building’s difficult-to-secure windows. The tireless Catherine Sezgin has a good roundup of all the news reports at the ARCA blog. Here’s some reactions from the security and law enforcement experts I found thoughtful:
Anthony Amore, the director of security at the Isabella Stewart Gardner Museum in Boston debunks the popular impression of art thieves in an Op-Ed for the New York Times:
As usual, a combination of master art thieves and faulty security was blamed. But this seductive scenario is often, in fact, far from the truth. Most of us envision balaclava-clad cat burglars rappelling through skylights into museums and, like Hollywood characters, contorting their bodies around motion-detecting laser beams. Of course, few of us have valuable paintings on our walls, and even fewer have suffered the loss of a masterpiece. But in the real world, thieves who steal art are not debonair “Thomas Crown Affair” types. Instead, they are the same crooks who rob armored cars for cash, pharmacies for drugs and homes for jewelry. They are often opportunistic and almost always shortsighted.
Chris Marinello of the Art Loss Register tells NPR’s Morning Edition:
MONTAGNE: And do insurers pay ransom?
MARINELLO: Absolutely not, they do not want to encourage further art theft and then the thieves are going to have to go to Plan C. They usually contact me and see if I have any ability to pay them to return the works. They won’t succeed there, either. The pieces are likely to travel in the underworld at a fraction of their true value, maybe five or 10 percent, used as currency for drugs, weapons, even something called a Get Out of Jail Free card. If a criminal thinks that they’re going to be arrested, they may try to make a deal with the prosecutor for a lesser sentence, if they have information that leads to the recovery of the seven paintings.
MONTAGNE: Is it likely than that they will resurface eventually?
MARINELLO: Well, I have a lot of faith in the Dutch police and they are meticulous. We might see something over the next few weeks. I mean sometimes when they realize they can’t get rid of the haul that they just brought home, they just return them. But if we don’t see that happening in the next few weeks, it could be decades before these resurface.
Bob Wittman, formerly of the FBI’s art crime team talks to the Atlantic:
Here’s the story on selling stolen art. Paintings that are stolen like last night, those pieces that were taken out of the Kuhnsthal museum, are not going to get sold on any kind of market, whether it’s a black market or any kind of market. They’re going to get recovered. But what happens with pieces that are worth much less — let’s say the $10,000 and less market, pieces that aren’t well known — is a burglar goes into a home and steals a $5,000 painting. That can be sold in a flea market, that can be sold on what they call the secondary art market, because it’s not well known. And that’s the vast majority of art heists. It’s not these once a year museum thefts. It’s burglaries around the world. And that’s the major part of the art theft business and the collectibles business. Even the smaller works of art have no value if they have no provenance, authenticity, or legal title. But when you talk about pieces that are under that amount, people don’t do the due diligence. When people go in and pay $5 million for a Cézannes, they’re going to do the due diligence to make sure everything is right. If a piece is $300 at a flea market, it’s not done.