|A recent looter’s pit in Cerveteri|
I’m not sure who is editing the New York Times Sunday Review, but this Sunday’s piece by Hugh Eakin contained a stunning array of factual inaccuracies. To pick a passage:
Since 2006, more than 100 statues, bronzes, vases, mosaics and other works have left public collections in the United States. Among them was the Euphronios krater, depicting a scene from the “Iliad,” which awed visitors to the Met for decades, and a rare limestone and marble statue of a Greek goddess, which the Getty purchased for $18 million in 1988. In nearly every case, the museums have not been compelled by any legal ruling to give up the art, nor are they receiving compensation for doing so. And while a few of the returned works have been traced to particular sites or matched with other fragments residing in the claimant country, many of them have no known place of origin.
No mention is made of breaking up the once-called “Getty Goddess” to transport in the trunk of a car; nor the destruction of context. Having seen a looters pit and visiting these sites must I think cause any thinking person to change his or her views of the proper place for looted objects. Moreover, museums are repositories of works of art and cultural objects, but not at the expense of the rule of law. Eakin’s false claim that these objects were not returned with the benefit of a legal ruling breezes over the unassailable fact that many of these institutions have been challenged in court, and in many cases museums return objects well in advance of a legal ruling or claim lest their own curatorial staff be subject to criminal prosecution in the United States or abroad. Not every return can be so casually dismissed as museums making up evidence of theft and looting. It would be a bizarre legal system that said that so long as a murder occurs and the perpetrator can hop off to another country, the defendant should get off free and clear. But that’s the casual indifference displayed by Eakin. Here are a few other reactions.
Lynda Albertson, ARCA CEO notes that Eakin hasn’t been speaking with anyone in Rome:
Having just spent last Thursday, January 24th at the round table symposium at the Villa Giulia hosted by Alfonsina Russo, Superintendent Archaeologist for Southern Etruria, in reviewing the work conducted in these contentious cases over the last 15+ years I can assure you that extortion is not, nor has it ever been, a nefarious motive in seeking the return of Italy’s looted antiquities. Italy’s motive, if it can be summed-up in a simple statement, is to preserve and protect the country’s antiquities for all its generations and in doing so, by recording objects in their discovered contexts, expanding upon our knowledge of the ancient world.
David Gill also notes that just because we don’t see a lawsuit filed doesn’t mean the possibility wasn’t mentioned to recalcitrant museums:
He suggests that foreign governments have been threatening legal action over the return of antiquities. But I suspect that major museums have been secretly relieved to avoid that course of action. I do not know if Eakin has seen the photographic and documentary archives, but the thought of this material being unpacked in a courtroom where every image would be analysed in the media is one that would probably make the blood of most museum directors run cold. It is sufficient to say that Italy has probably claimed less than 1% of the objects in the photographic archives. This suggests great restraint, understanding and flexibility from the Italian authorities. But it also calls for flexibility from the North American museum community.
Rick St. Hilaire notes that stolen property cannot be lawfully retained:
Waiting for a court order to demand the repatriation of stolen or smuggled artifacts when potential settlement options are available disrespects the rule of law and undercuts a museum’s reputation. Attorneys, museum directors and trustees, museum donors, the general public, and the courts likely would not support the courtroom clashes resulting from “The Great Giveback’s” call to legal arms. Museums are highly respected, and there is an expectation that they will “do the right thing” by finding acceptable legal solutions before initiating or inviting litigation that might result in the forced return of stolen or smuggled property.
Lee Rosenbaum also notes the problems with reality in Eakin’s argument and rightfully argues it should have been ignored had it not graced the pages of the Grey Lady on Sunday:
Since Eakin has extensively covered the Cultural Property Wars in pieces for many publications, his misstatements and distortions regarding repatriations are likely to have been either deliberate or indicative of how much he has forgotten about what he once knew. A third possibility is that he is prone to blanket statements that he believes to be true but hasn’t adequately researched.
- Hugh Eakin, The Great Giveback, The New York Times, January 26, 2013, at 12.
- Hugh Eakin, What Went Wrong at the Getty, New York Review of Books, June 23, 2011, http://www.nybooks.com/articles/archives/2011/jun/23/what-went-wrong-getty/?pagination=false (last visited Jun 6, 2011).
- Hugh Eakin, Italy Focuses on a Princeton Curator in an Antiquities Investigation, The New York Times, June 2, 2010, http://www.nytimes.com/2010/06/03/arts/design/03curator.html?pagewanted=all (last visited Jun 3, 2010).
- Hugh Eakin, Who Should Own the World’s Antiquities?, The New York Review of Books, May 14, 2009, http://www.nybooks.com/articles/archives/2009/may/14/who-should-own-the-worlds-antiquities/ (last visited Aug 27, 2011).
- Randy Kennedy & Hugh Eakin, Met Chief, Unbowed, Defends Museum’s Role, The New York Times, February 28, 2006, http://www.nytimes.com/2006/02/28/arts/28mont.html (last visited Aug 26, 2011).
- Randy Kennedy & Hugh Eakin, The Met, Ending 30-Year Stance, Is Set to Yield Prized Vase to Italy, The New York Times, February 3, 2006, http://www.nytimes.com/2006/02/03/arts/03muse.html&ref=euphronioskrater (last visited May 4, 2011).