Shame on Sam Brownback

“Tragic Prelude”, John Steuart Curry, in the Kansas Statehouse

States which are not always able to lure arts organizations and touring companies to stop need to work harder to encourage support for the arts. Bottom line, the arts creates jobs, fosters community, and makes it better to live in Kansas. That’s why I was so disheartened to read that in my home state, the arts are being cut drastically:

Gov. Sam Brownback signed an executive order Monday abolishing the Kansas Arts Commission and replacing it with a private, nonprofit organization.

The move will save the cash-strapped state nearly $600,000 a year, but it has upset some arts advocates who worry about eroding support for the arts and art education.

“Our state faces a nearly $500 million budget shortfall,” Brownback, a Republican, said before signing the order. “Let’s do all we can to protect the core functions of government.”

The Arts Commission funnels state and federal arts grants to local organizations, artists and art education programs. Starting July 1, the nonprofit Arts Foundation will seek private funds.

Brownback wants Kansas to spend $200,000 next year to assist the foundation, and he said additional funding in future years is a possibility. He appointed nine Kansans to lead the foundation.

The executive order takes effect July 1 unless lawmakers vote to overturn it within 60 days.

Other states are considering similar moves. But the worst is that by eliminating the state arts commission, Brownback will cost the state at least $635,000:

Gov. Brownback states that closing the arts commission will save the state $600,000. What he fails to realize is the state will lose $800,000 from the NEA, and around $435,000 in indirect grants from the Mid-America Arts Alliance that is used to provide jobs and spur economic activity. Also, with no arts grants being awarded to the field, the state will lose tax revenues from lost performances and other events from organizations who have to scale back or cancel performances all together.

Either the Governor is too cynical to think anyone will notice, or too incompetent to understand matching contributions. Either way I feel like John Brown.  

Arts Commission is eliminated in Kansas – KansasCity.com

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Footnotes

The Reception of the French Ambassador Jacques-Vincent Languet, Comte de Gergy, at the Doge’s Palace, by Canaletto

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Firsthand Report of Looting in Saqqara

The step pyramid of Djoser at Saqqara

There are a number of conflicting reports emerging from Egypt, and as evacuated members of foreign archaeological missions arrive home, we are learning more about what took place in the chaos last weekend. Zahi Hawass is reporting on his website that sites are being protected and that reports of rumors of looting at places like Saqqara are not true. Yet Lee Rosenbaum has been forwarded a firsthand account from a French archaeologists that describes looting last weekend:

The French Archaeological Mission at Saqqara has just left Egypt yesterday and arrived safe today. As most of you are in lack of direct information concerning what happened there, I will try to tell you in brief what I saw. 
On Saturday, the taftish [on-site officer from Egypt’s Supreme Council of Antiquities] asked us to stop the work, because the police were not in the capacity of protecting us anymore. In the afternoon, we could see that the police at the police station at the entrance of the resthouses was gone and had left us alone. That is when it all began: Robbers from Saqqara and Abusir became aware of this and they began to spread in the gebel [mountainous desert].
The first afternoon and night, they mainly attacked places which were secured with locks. They broke them and went inside. Most of the time, they destroyed what they saw and not robbed anything, trying to find “treasures.” These are not well organised robbers but, mainly, young people from 10 to 20, very probably looking for gold. That is why, when they saw blocks of stone, they most of the time left them, or destroyed them in order to find what was underneath.
I could see them with my eyes the day after, when we made a tour in the gebel with the army. Around 5 p.m., when the sun was still not down, at the muslim cemetery of Abusir, I counted more than 200 young men, excavating in front of us, ready to flee if the army would come down. A tank of the army was there, but they kept on digging. The soldiers were not numerous enough to do anything else than showing they were here. And when we went back, they probably came back in the highs. They were laughing and throwing stones at us. 
. . .

After three days, more and more soldiers arrived in Saqqara and secured more and more of the area. The worse days were Saturday and Sunday. It looks like the army is now securing most of the area, and they made clear that anyone taken would be taken to jail. Hope it works.

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Getty Secures Export License for "Modern Rome—Campo Vaccino"

JMW Turner “Modern Rome—Campo Vaccino”, soon on display at the Getty

This landscape by JMW Turner has been granted an export license from the UK Culture Ministry. The painting had been on display for the last thirty years at the National Galleries in Scotland, on loan from the Primrose family. For me, the work fit well in Edinburgh, echoing nicely that city’s neoclassical architecture. It was always one of my favorites, a reason to stop in to Scotland’s national gallery. Turner’s depictions of classical ruins and renaissance buildings echoed Edinburgh’s own neoclassical features. Now the work is on its way to Los Angeles.

Calton Hill, Edinburgh

The UK has a limited export restriction scheme, which temporarily halts the export of a work if it falls under one of the three Waverley Criteria:

  1. Is it so closely connected with our history and national life that its departure would be a misfortune?
  2. Is it of outstanding aesthetic importance?
  3. Is it of outstanding significance for the study of some particular branch of art, learning or history?

If a work can fall under any one of these three categories, export will be temporarily restricted by the Department of Culture, Media and Sport (DCMS) so a UK buyer can raise enough money to keep the work in the UK. This work was purchased for $44.9 million at an auction in Sotheby’s last year. Will there be calls to amend the limited export regime as more works of art leave? In the past the UK had been more willing to continue to delay export, and even to offer more funding to help domestic buyers match foreign prices and ensure works of art remain in the. But austerity may be changing that. As Mike Boehm speculates

But “Modern Rome” is coming, perhaps a sign that at a time of austerity in Great Britain, a domestic arts economy that’s far more reliant on government funding than in the United States could not muster the wherewithal to take the painting away from the privately and lavishly endowed Getty. In 2004, according to a BBC report, the British government anted up more than half the money to match the Getty’s bid for “Madonna of the Pinks,” tapping a fund from lottery receipts that’s earmarked for cultural purposes.

  1. Mike Boehm, Getty Museum’s $44.9-million purchase of J.M.W. Turner masterpiece is final as sale clears U.K. export hurdle, LA Times Culture Monster, February 3, 2011, http://latimesblogs.latimes.com/culturemonster/2011/02/getty-jmw-turner-masterpiece.html (last visited Feb 4, 2011).
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Unrest Near Egyptian Museum

If you are following the live feed on al-jazeera, you’ll see that there is still a great deal of unrest near the Egyptian museum:

Petrol bombs were thrown in Cairo’s Tahrir Square on Wednesday, a Reuters witness said. An Egyptologist said some had landed in the gardens of a museum housing the world’s greatest collection of Pharaonic treasures.

The Egyptian museum itself however was unscathed.

The Egyptologist, who had been in contact with Egypt’s Supreme Council of Antiquities, said it seemed the petrol bombs were being thrown by protesters demonstrating in favour of President Hosni Mubarak.

“So far the museum is safe, but we don’t know what’s going to happen, because the Mubarak supporters are out of control,” the Egyptologist, who declined to be identified, added.

. . .

The army moved to extinguish the flames, a source from the Ministry of Defence told Reuters. Army fire engines were called to the scene to ensure that fire did no damage to “army property”, the source said.

Petrol bombs thrown at protest near Egypt Museum | Reuters

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Reports of Looting and Theft throughout Egypt

An Egyptian Soldier guarding the Cairo Museum

Like many of you I am following the reports from Egypt with great interest. There is a flood of information on the revolution generally, and also a lot of specific information about the destruction over the weekend at the Cairo Museum.

The situation at the Egyptian National Museum in Cairo seems to have stabilized, with soldiers arresting fifty men who have attempted to break in to the museum Monday. Yesterday Zahi Hawass faxed a report, which was posted on his blog.

 Now reports are emerging about damage and thefts at sites elsewhere in the country. Much of it, I am sorry to say, is disheartening. These reports are very early, and should be taken with a healthy dash of skepticism. Yet we all know that there are places where many of these objects will be bought and sold. The antiquities trade does not distinguish the licit from the illicit. Vast storehouses and sites are at risk. The United States will soon have to consider emergency import restrictions, and monitor the trade as best we can. Yet one can’t help but feel frustrated at the destruction which may be taking place.

The Egyptian newsblog Bikyamasr is reporting widespread looting of museums and antiquities thefts all over the country:

According to antiquities official Mohamed Megahed, “immense damages to Abusir and Saqqara” were reported. Looters allegedly have gone into tombs that had been sealed and destroyed much of the tombs and took artifacts.

“Only the Imhotep Museum and adjacent central areas were protected by the military. In Abusir, all tombs were opened; large gangs digging day and night,” he said.

According to Megahed, storage facilities in South Saqqara, just south of Cairo has also been looted. He did mention it was hard to ascertain what, and how much, was taken.

He said Supreme Council of Antiquities (SCA) officials “are only today [Sunday] able to check on the museums storage, but early reports suggest major looting.”

He called on the international archaeology community to issue a “high alert” statement on Old Kingdom remains and Egyptian antiquities in general, “and please spread the word to law enforcement officials worldwide.”

Looters of museums, “who may be encouraged by outside Egypt entities, may try to use general confusion to get things out of the country.”

His statement comes as Al Jazeera and other news networks reported extensively on the small looting at the Egyptian Museum in Cairo in the past two days as police guarding the museum left their posts. Others allege that the police themselves are responsible for the looting.

The Egyptian Museum is home to some 120,000 items and thousands more in storage in the basement.

 What a sad development if museum security really were involved in the looting. Already it is worth asking the difficult question: what could be done to prevent this in the future, and also thinking about answers. One answer might lie with how the guards were treated. Hyperallergic has translated an interview with the former director of the Egyptian Museum Wafaa el-Saddik, published in the German publication Zeit Online, reporting that the Museum in Memphis has been robbed. The thieves may have been Egyptian security guards, who earn as little as 35 Euros per month.

Good sources of information include:

After the jump, a collection of videos of the situation in Cairo (via)

Al Jazeera report of Friday’s looting at the Cairo Museum on Friday:

AP video of the army securing the museum:

Zahi Hawass commenting on Saturday:

(cross-posted)

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Hawass says Egyptian Museum "Raided"

Zahi Hawass claimed that two mummies have been destroyed, and the museum was “raided”, in an appearance on Egyptian state television:

CAIRO Jan 29 (Reuters) – Looters broke into the Egyptian Museum during anti-government protests late on Friday and destroyed two Pharaonic mummies, Egypt’s top archaeologist told state television.

The museum in central Cairo, which has the world’s biggest collection of Pharaonic antiquities, is adjacent to the headquarters of the ruling National Democratic Party that protesters had earlier set ablaze. Flames were seen still pouring out of the party headquarters early on Saturday.

“I felt deeply sorry today when I came this morning to the Egyptian Museum and found that some had tried to raid the museum by force last night,” Zahi Hawass, chairman of the Supreme Council of Antiquities, said on Saturday.

“Egyptian citizens tried to prevent them and were joined by the tourism police, but some (looters) managed to enter from above and they destroyed two of the mummies,” he said.

He added looters had also ransacked the ticket office.

The two-storey museum, built in 1902, houses tens of thousands of objects in its galleries and storerooms, including most of the King Tutankhamen collection. (Reporting by Yasmine Saleh, Writing by Patrick Werr)

Looters destroy mummies in Egyptian Museum-official | News by Country | Reuters

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Army Protecting Museum in Egypt according to state TV

Army units secured the Egyptian Museum in central Cairo against possible looting on Friday, protecting a building with spectacular pharaonic treasures such as the death mask of the boy king Tutankhamun, state TV said.

The news follows a day of violent anti-government protests in Cairo and other cities. Some of the most violent scenes in four days of protests have been in squares and streets close to the museum building.

It was also broadcast as reports of looting of some government buildings emerged. One Reuters photographer said looters had broken into a ruling party building near the museum and were walking out with furniture, computers and other items.

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What about the Museums?

Associated Press video from Cairo:
Protests have erupted across Egypt, with demonstrators demanding an end to the rule of Hosni Mubarak. Reports show a breakdown in order, and fires, and reports of looting. 
Who is watching the museums? 
Please contact me (derek.fincham@gmail.com) if you are aware of any reports of heritage looting.
Questions or Comments? Email me at derek.fincham@gmail.com

Footnotes

Is art in America in bad shape? Stephen Colbert probably says no.
Here’s the New  York Times’ video of damage and restoration at Babylon:

Questions or Comments? Email me at derek.fincham@gmail.com