Cezanne Recovered in Serbia

Boy in the Red Vest, Cezanne

There are reports today that one of the works stolen from the Emil Buehrle Collection in Zurich has been recovered in Serbia. ARCA’s blog has a good rundown of the current press reports. The work was stolen in 2008 along with 3 others.

The BBC report notes:

Authorities have not named the painting, but local media have reported it is The Boy in the Red Vest, which was taken from Zurich’s Emil Buehrle Collection. Police said three people had been arrested in connection with the theft. It added an art expert was being flown in to confirm the authenticity of the 1888 painting, worth $109m (£68.3m).

Questions or Comments? Email me at derek.fincham@gmail.com

Report that Federal Agents will seize Khmer Statue from Sotheby’s

It looks like the attention drawn to Sotheby’s auction of this Koh Ker statue will result in Federal seizure of the statue:

Federal agents in New York on Wednesday moved to seize a thousand-year-old Cambodian statue from Sotheby’s, alleging in a civil complaint that Sotheby’s had put the 10th-century figure of a mythological warrior up for auction despite knowing that it had been stolen from a temple. Investigators said the sandstone statue, whose return is being sought by Cambodia and which is valued at $2 million to $3 million, would be impounded on Thursday by agents from the United States Department of Homeland Security. The statue, consigned to Sotheby’s for sale by a Belgian collector, had been set for auction in New York in March 2011 but was abruptly pulled from the market at the last minute after Cambodia claimed ownership. At the time Sotheby’s rejected Cambodia’s efforts to recover the Khmer antiquity, insisting there was no proof that it had been looted and therefore the auction was legal. But in a series of internal e-mail exchanges obtained by investigators and included in the federal complaint filed Wednesday in United States District Court in New York, at least one Sotheby’s officer is depicted as having been told in 2010 by a scholar in Cambodian art that Cambodian officials considered the statue a looted artifact.

With evidence that Sotheby’s was told the statue had been looted, the Federal agents have a powerful piece of evidence they did not have in the Ka Nefer Nefer case. I would expect the unnamed Belgian collector who put the statue up for consignment to consider relinquishing the statue quickly. If it was purchased in good faith, he or she has a good claim against the dealer they bought it from. How long new before the Norton Simon is pressured to return its version of the statue?

  1. Ralph Blumenthal & Tom Mashberg, Ancient Cambodian Statue Is Seized From Sotheby’s, The New York Times, April 4, 2012, http://www.nytimes.com/2012/04/05/arts/design/ancient-cambodian-statue-is-seized-from-sothebys.html (last visited Apr 4, 2012).

Questions or Comments? Email me at derek.fincham@gmail.com

US Government’s Claim to Ka Nefer Nefer Mask Dismissed

The Ka Nefer Nefer Mask will be staying in St. Louis for now

The Ka Nefer Nefer mask, subject of two lawsuits in federal court, seems likely to stay in St. Louis for the near future. On Monday the U.S. District Court dismissed the U.S. Government’s forfeiture claim for the mask, as Rick St. Hilaire reported. The St. Luis Art Museum also has a parallel declaratory judgment action seeking to prevent the government from pursuing a forfeiture in the future.

You can generally read the tea leaves in the first few lines of a court opinion, and when the court wrote “the Government boldly states that it seeks the forfeiture of all rights, title and interest in a 3,200 year old Egyptian Mask . . .” you have a pretty good idea that the U.S. attorney was not able to convince the court to forfeit the mask. It most certainly was involved in a crime, yet the government was unable to allege enough “circumstances” surrounding the mask’s journey from Saqqara in Egypt in 1952 to the antiquities market some time later.

The government undercooked its legal analysis of the illegal activities giving rise to a forfeiture in its first forfeiture attempt here. For now it may amend its complaint. If it does, it should perhaps note that Egypt has laws establishing ownership of its antiquities, and there is no set of circumstances under which this mask could have rightfully left Egypt. Perhaps noting that may lead to a different result this time around.

The Government cannot simply rest on its laurels and believe that it can initiate a civil forfeiture proceeding on the basis of one bold assertion that because something went missing from one party in 1973 and turned up with another party in 1998, it was therefore stolen and/or imported or exported illegally.

The court was concerned that the government failed to establish precisely how the mask became stolen property. There is plenty of precedent on point for this legal principle, but the lawyers for the government failed to include enough of it in the complaint. Now the U.S. attorneys will have to return to the drawing board and establish a firmer legal framework for the illegal removal of the mask from Egypt. Making the government’s task more difficult, is the lack of evidence provided to them by Egypt establishing how and when the mask was stolen. As a consequence, if I was working on the case, I’d essentially treat it like an antiquities looting case. The theft itself is lost to history. But you don’t need those facts, just enough to put the  burden back on the museum’s case to show how far back its chain of title can go.

The museum will likely respond that it had no reason to believe the Aboutaam brothers were antiquities dealers to avoid in 1998. Was it established that they routinely dealt in looted objects in 1998, even if that can be established now? The SLAM conducted a search, and while certainly not ideal, it posed questions to officials in Egypt. For lots of background on the mask, see here.

We can ask whether the Museum should do the right thing, but the government attorneys had an opportunity to force them to and failed to allege enough concrete circumstances in its complaint to trigger what would have been a very uncomfortable forfeiture proceeding for the museum—one that coupled with reasonable public pressure exerted by Egypt would have certainly made continued possession of the mask in St. Louis untenable.

Lee Rosenbaum has posted a .pdf of the opinion:
  Ka-Nefer-Nefer Opinion

Questions or Comments? Email me at derek.fincham@gmail.com

Landis and Forgery at the University of Cincinatti

A forged work by Mark Landis

This is not your typical April 1 prank. Curators at the University of Cincinnati have put together a super show “Faux Real” examining Mark Landis, the man who has fooled many medium and small museums into accepting donations of his forged works.

Lisa Cornwell writing for the AP:

Landis creates works in oil, watercolor, pastels, chalk, ink and pencil, making most of his copies from museum or auction catalogs that provide dimensions and information on the originals. He sometimes bestows gifts under different names, such as the Father Arthur Scott alias used at Hilliard. In that case, he told officials that his dead mother had left works including Curran’s oil-on-wood painting “Three Women” and that he was donating it in her memory. . . . The Faux Real show will run through May 20 at the Dorothy W. and C. Lawson Reed Jr. Gallery. It depicts famous art forgers, details of how Landis made some donations and ways of detecting fakes. Visitors can view some works under ultraviolet light that causes sections to glow if they contain contemporary ingredients. Art experts say not accepting payment for his forgeries has helped keep Landis from being charged with a crime. Museum officials say forgeries can hurt their reputation and cost time and money researching suspected fraud.

He presents a challenge for prosecutors and the small museums he donates the works to. But the attention paid to him now will hopefully prevent future museums from accepting more forgeries. The exhibition will run through May. ARCA offered advice with respect to the possible ways the law regulates (or to be more accurate has difficulty regulating) these forgeries and donations.

Questions or Comments? Email me at derek.fincham@gmail.com