Tag: recovery

Antiquities Recovered in Rome


Italian authorities announced on Friday they had recovered over a dozen antiquities hidden in a boat garage near Fiumicino, which is very near Rome’s Leonardo da Vinci airport. The AP report indicated:

The most spectacular find was a marble head of Lucius Verus, a portrait of the emperor who co-ruled Rome from 161 until his death in 169 alongside his adoptive brother, Marcus Aurelius.

The bearded visage of the emperor is believed to have been secretly dug out at a site in the Naples area and was probably destined for the international market, said Capt. Massimo Rossi, of a special police unit that hunts down archaeological thieves.

No arrests have been made, but 13 people are being investigated for allegedly trafficking in antiquities, Rossi said.

The announcement also indicated another recovery:

In a separate operation, Italy recovered a marble head depicting Faustina, the wife of the Emperor Antoninus Pius, the predecessor and adoptive father of Lucius Verus and Marcus Aurelius, police said in a statement.

Faustina’s portrait had been stolen in 1961 from an ancient theater in Minturno, south of Rome, and made its way to an American collector. The statue was returned by the collector through U.S. authorities after he realized it had been looted, Rossi said.

This strikes me as the more interesting announcement. It strikes me as odd, and is more indication of the means Italy has used to recover objects. They really have capitalized on this tide of repatriation from North America, and have secured a number of secondary returns, without having to resort to costly international litigation. The legal claims for this portrait, apparently illegally excavated in 1961, would have probably been expensive and time-consuming, and likely quit difficult. It is interesting the success Italy has had by eschewing litigation, and pointing out (rightly so) of the damage done to contextual information.

It seems a bit odd though that we do not learn of the collector, how she acquired the object, or who the dealer was who sold it. At a certain point, it may be worth asking the Italian authorities where all these recovered objects are going to be studied or displayed, and if these “repatriation exhibitions” will serve to decrease illegal excavation and export, or merely serve to display some drugs on the table. Perhaps this display does give heart to the authorities and heritage advocates, however these gains also provide other political benefits; and may provide an distorted image of the effectiveness of Italian and international efforts. After all, even well-known sites are being damaged in the heart of Rome.

Questions or Comments? Email me at derek.fincham@gmail.com

Two Recovered, Two Still Missing

Two of the four works stolen from the Buhrle Collection have been recovered at a mental hospital 500 yards from the private art museum in Zurich. Monet’s Poppy Field at Vetheuil and van Gog’s Blooming Chestnut Branches were discovered in a parking lot, still behind their display glass and completely unharmed. The two easier-to-carry works, Degas’ Ludovic Lepic and his Daughter, and Cezanne’s Boy in the Red Waistcoat are still missing.

There’s no word about how long the car has been parked in the lot. Did the thieves leave it there immediately after the theft? Or, did they return it there to show they still had the works and were serious about a ransom?

There are also indications that the returned van Gogh may in fact be a copy (Ger.) by his friend and homeopathic physician Paul-Ferdinand Gachet. The Weltwoche, a German-language weekly newspaper publiched in Zurich, has investigated these claims in recent years. Gachet’s copies of impressionist works were the subject of a 1999 retrospective at the Met.

(Photo Credit)

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Bührle Collection Possibly Recovered

Europe is just waking up this morning to news that the four Bührle Collection works stolen earlier this month may have been recovered in a mental institution parking lot, not far from where they were stolen. I’ll try to update more this afternoon, when more details are available.

Questions or Comments? Email me at derek.fincham@gmail.com

Stolen Works Discovered in Glasgow


The BBC reported over the weekend that five paintings have been recovered by a a pensioner in his Dunbartonshire flat (just outside Glasgow). Three are the work of Robert Gemmell Hutchison, the Pink Pinafore, Feeding the Seagulls, and Cottarita. Also recovered was this work, Candlelight by Sir James Guthrie, along with Luss Road. A slideshow of all the works is here.

The works were found by an elderly man in his loft. At present, authorities are still attempting to understand how these works came to arrive there, after they had been stolen in 2002. There still aren’t many details, and I’ll update if and when more details emerge.

The works are estimated to be worth £246,000. Of course that doesn’t measure the artistic or cultural value of the works which have been stolen. In fact cultural value was the main reason the Norweigian Supreme Court gave for increasing the sentences of two thieves who took Edvard Munch’s The Scream and the Madonna as they are of “irreplaceable national cultural value.” It’s this cultural value which gives art theft a prominent place in the news, and arouses such interest. However I think measuring it, especially for courts, can often be difficult, especially for lawmakers who aren’t trained in art history. Increasing punishment for well-renowned masterpieces such as Munch’s works, this cultural value may be pretty easy to measure; however these works recovered in Glasgow may be harder to measure culturally, and our only gauge is the price they may garner at auction.

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Shocking theft… in 1994


Is it any wonder that 7% of the Italian GDP comes from Mafia crime? The Italian city of Catania on Sicily has announced the disappearance of 51 works of art, after a 1995 document regarding their disappearance was recently “rediscovered” and provided to the carabinieri. The works were taken from the art gallery, housed in the Ursino castle pictured here, and were discovered by a new Catania councillor responsible for culture, Silvana Grasso. This is probably not the kind of news Francesco Rutelli wanted on the heels of the discovery of what may be the Lupercale, under Augustine’s palace on the Palatine Hill.

At least one step which should be taken by all museums, and even individuals who own art, is to take a photo of the works. One of the works stolen is a Rembrandt, but there’s no photograph of the work, rendering recovery nearly impossible. If there’s an image, recovery is possible. Ask Peter Crook, who recovered two works by his grandfather GF Wetherbee from the US via the Art Loss Register.

Questions or Comments? Email me at derek.fincham@gmail.com

Recovering a priceless object or punishing the thief?


That’s a fundamental question which plagues criminal penalties for the theft of cultural property, and it often plays out in the decision-making of individual law enforcement officers, judges and prosecutors. The latest example is the laudable recovery and return today of two500-year-old maps stolen from Spain’s National library earlier this year; one of which is this map which shows the recently discovered new world. Paul Hamilos has an overview from Madrid in today’s Guardian. I commented on the recovery of one of these maps back in October, after it was sold on eBay. The FBI press release from Nov. 8 is here.

The thief, Cesar Gomez Rivero is a 60-yar-old Spanish citizen of Uruguayen descent who is a resident of Argentina. He sent his lawyer to negotiate an immunity deal with a judge in Buenos Aires in exchange for handing over 8 of the 19 stolen maps. The judge rejected the deal and was able to keep the maps. Apparently he used a Stanley knife to cut pages from the collections at the national library. Eleven maps have been recovered in total, in the UK, Australia, Argentina, and the US.

Questions or Comments? Email me at derek.fincham@gmail.com

Arrests in Lowry Thefts


The BBC reported yesterday that four people have been arrested in connection with the theft of five LS Lowry paintings. It seems the recent Crimewatch appeal may have helped lead to the arrests. The theft was particularly disturbing, as 4 men robbed the family, tied up Ivan Aird, and threatened his wife and young daughter before stealing five artworks. The most valuable work taken was this painting, the Viaduct, worth perhaps £700,000.

Questions or Comments? Email me at derek.fincham@gmail.com

Map Recovered in Sydney

Another example of the international nature of the cultural property trade: the Sydney Morning Herald is reporting in tomorrow’s edition that this 15th century map by Ptolemy has been recovered after its theft in Spain, shipment to the US, sale on ebay, and eventual purchase and shipment to Australia. I’d imagine that seller will be receiving negative feedback on this transaction. There’s no word yet on whether criminal charges will be filed, or who the seller may have been.

The map, known as the Ulm Ptolemy World Map, illustrates what was then known about the world and is described as “perhaps the most famous and highly sought after of 15th-century world maps, and certainly the most decorative”.
Valued at $160,000 [australian], the Ptolemy map was stolen from Spain’s National Library and made its way to the US, where it was bought on the internet by Simon Dewez, owner of the Gowrie Galleries in Bondi Junction.”I had absolutely no idea it was stolen,” Mr Dewez said yesterday. “I thought it was a fantastic buy, a rare opportunity.” The map has been recovered and is with the Australian Federal Police, who sent photographs to the National Library in Madrid. “They’ve confirmed it’s their missing map,” a spokesman said. “The gallery surrendered it willingly.” Spain will apply to Australia to have the map returned. A legal dispute over ownership is not expected. Mr Dewez declined to name the dealer from whom he bought the map but described him as a reputable dealer who had refunded him. Mr Dewez, whose gallery has a 120-page catalogue offering rare maps for sale, bought the map on behalf of a client as a superannuation investment.

The stolen map was one of 12 maps and other documents cut from a 16th-century edition of Ptolemy’s Geographia, based on the original work by Claudius Ptolemy in the second century. Best known as an astronomer, Ptolemy (AD 85-165) compiled Geographia from existing records and by detailing the geographic co-ordinates of 8000 locations. He was the first to visualise a great southern land mass uniting Africa with Asia and enclosing the modern Indian Ocean.

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"A Silly Thing to Steal"


So said my cab driver on the way down to the BBC’s Aberdeen studios bright and early this morning to talk about the recovery of the Da Vinci yesterday. A stream of the interview is available here.

I’m not sure I was able to offer much more insight. Details on this recovery are still sketchy. The FBI estimates the size of the illicit trade in art and antiquities at $6 billion, which is quite a sum. A better estimate may be the idea put forth by Simon Houpt in the excellent Museum of the Missing that if we were able to collect all the stolen works in one single museum, it would be the world’s greatest by a good measure.

Why then was the work stolen? This question will surely be answered in the coming months, but there are three reasons usually given. First it may have been a theft to order. This seems the least likely. If you have a masterpiece you want to show it off and put it on display. Second, the thieves may have been unaware how hard this kind of work might have been to sell. Finally, and most likely I think is the thieves may have wanted to ransom the work back to the Duke of Buccleuch or to the insurance company. This is just idle speculation, but I wonder if the passing of the Duke last month may have encouraged the thieves to think they could dispose of the work.

In any event this is a fantastic recovery. Police recovered the work yesterday from the law offices of HBJ Gateley Wareing; and arrested a partner in the firm and three other men. At this point there are far more questions than answers. An interesting issue may be whether the lawyer committed any wrongdoing, or if he in fact alerted the authorities to the location of the work. I’ll confess to a total ignorance of the professional rules of conduct for lawyers in Scotland, but I would venture a guess that assisting a client in committing a crime is frowned upon. Various news reports have speculated that the lawyer may have been assisting in repatriation, or looking at how to draft a contract under Scots law to allow the return of the painting.

There are other initial questions I have. For starters has the work been damaged? Will the work return to Drumlanrig Castle? What is the insurance agreement regarding the work? If an insurance policy has been paid out, the insurer now may have title to the work, but the Duke’s estate may be able to trade the money paid for the work, depending on the agreement.

The four men will appear at Dumfries Sheriff Court this morning, so more details should be forthcoming this afternoon.

Questions or Comments? Email me at derek.fincham@gmail.com

Da Vinci Recovered

After four years this work has been recovered. Madonna of the Yarnwinder, a masterpiece by Leonardo Da Vinci was stolen four years ago from Drumlanrig Castle. It was a daring theft, and was listed on the FBI’s top 10 Art Crimes. The BBC has the details of today’s recovery here.

Three men were arrested today in Glasgow, apparently after they attempted to sell the work. This was a major theft, and a great recovery. I’ll have a lot more to say on this tomorrow. If everything goes as planned I should have an interview on the Good Morning Scotland program tomorrow morning, and I’ll post a link here when one becomes available.

In the meantime congratulations should go to the law enforcement services who recovered the work, led by the “Dumfries and Galloway Police and involved the Scottish Crime and Drug Enforcement Agency (SCDEA), Serious Organised Crime Agency (SOCA) and Strathclyde Police.” Odds are that a work like this only has a 20% chance of recovery within 30 years.

Questions or Comments? Email me at derek.fincham@gmail.com