Corporate donors funding preservation in Italy

The Mausoleum of Augustus in Rome
The Mausoleum of Augustus in Rome

There has been an upswing in the use of corporate funds to preserve and rehabilitate some of the World’s great cultural heritage sites in Italy. Gaia Piangiani and Jim Yardley report for the New York Times:

While private-public partnerships are common in the United States and many other countries, the government has traditionally been responsible for maintaining historical sites in Italy, and even today some historians and preservationists worry that the shift could lead to crass commercialization. Critics complain that companies have exploited cultural sites by commandeering them for elaborate dinners or the display of luxury advertisements.

Indignation ran high in Florence after it was discovered that city officials had allowed Morgan Stanley to hold a dinner inside a 14th-century chapel for a rental price of $27,000. Florence’s mayor doubled the rent to $54,000 after the outcry, but some argued that price was not the core issue.

“There are sacred places where one can simply not hold a dinner,” said Salvatore Settis, an expert in cultural heritage law and a former director of the J. Paul Getty Research Institute in Los Angeles. “Not even for four million euros” ($5.4 million).

Many preservationists were also outraged that Rome’s mayor allowed the Rolling Stones to rent Circus Maximus for an outdoor concert last month.

Prime Minister Matteo Renzi has often spoken about the need to enlist private companies to underwrite work at sites like Pompeii, where more than $137 million in European Union funds has already been spent. In May Mr. Franceschini, the culture minister, announced a new tax deduction intended to encourage private-sector donations for the restoration and preservation of museums, archives, libraries and theaters.

To many other nations this kind of corporate assistance seems relatively benign. So long as the sites receive much-needed care, there seems to be little potential harm. The Mausoleum of Augustus, right around the corner from the Ara Pacis in Rome, is badly in need of some attention, and may it with a donation from a Saudi Prince.

Gaia Pianigiani & Jim Yardley, To Some Dismay, Italy Enlists Donors to Repair Monuments, The New York Times, Jul. 15, 2014, http://www.nytimes.com/2014/07/16/arts/design/to-some-dismay-italy-enlists-donors-to-repair-monuments.html.

An Appreciation for The Train

Burt Lancaster as French Resistance fighter Labiche in The Train
Burt Lancaster as French Resistance fighter Labiche in The Train

As the George Clooney project Monuments Men, based on the work by Robert Edsel, finally nears its release on February 7th, it may be worth revisiting a 1964 masterpiece.

How many men should die to save a work of art? How much money should be devoted to its protection and preservation? The Train forces us to consider our answer. Set in 1944, in the final days of the war, the conflict has all but been decided, and the question raised by the film is not the simple question of whether a Monet or Braque should be worth the sacrifice of human lives, but a more complicated question. Director John Frankenheimer asks the audience to consider how many men and women should die to keep the works in France at the end of a long and deadly struggle. The film weighs the lives against innocents, against enough money to equip “ten panzer divisions”, and against the lives of French resistors. The result is one of the very best anti-war films.

Continue reading “An Appreciation for The Train”

Preservation of Heritage last year in Mali

The footlockers used to transport the manuscripts out of Bamako
The footlockers used to transport the manuscripts out of Bamako

Joshua Hammer has done some terrific reporting on the effort to preserve medieval manuscripts in Timbuktu last year:

At the time Haidara also had no idea if the militants knew how many manuscripts were in Timbuktu or how valuable they were. But quietly, determined not to attract attention, he laid contingency plans. With funds that Haidara’s library association already had on hand from foreign donors, he began purchasing footlockers in the markets of Timbuktu and Mopti, and delivered them, two or three at a time, to the city’s 40 libraries. During the day, behind closed doors, Haidara and his assistants packed the manuscripts into the chests. Then, in the dead of night, when the militants slept, mule carts transported the chests to safe houses scattered around the city. Over three months, they bought, distributed and packed nearly 2,500 footlockers.

 

  1. Joshua Hammer, The Race to Save Mali’s Priceless Artifacts, Smithsonian magazine, http://www.smithsonianmag.com/history-archaeology/The-Race-to-Save-Malis-Priceless-Artifacts-236271361.html