Germany and the UNESCO Convention

David Gill speculates today that Germany may be a hub of the antiquities trade after recent reforms in Switzerland. That may be possible, or perhaps even likely, but he provides little empirical evidence, and merely some offers speculation. He does not consider for example the very useful EU restrictions on cultural objects which effectively prevent the trade in objects originating from EU member nations.

In the post he references an article by Andrew Curry ($), a journalist. Journalists do a lot of good reporting, and Curry may be a great one. Journalists who report on the law, particularly one as malleable as the UNESCO Convention often miss the mark however. Curry’s summary of the UNESCO Convention, and the arguments Gill makes are very misleading.

Curry’s piece states:

Whereas the United States and many of the other 112 signatories to the convention restrict or prohibit trade in broad categories of artifacts, the German law passed last Friday requires countries to publish lists of specific items they consider valuable to their cultural heritage. Only those items will be protected under German law, which means trade in undocumented artifacts, such as those looted from archaeological sites, will be difficult to restrict. “This is a bad signal,” says Michael Mueller-Karpe, an archaeologist at the Roman-German Central Museum in Mainz. “It tells the world that whatever isn’t published isn’t worth protecting.”

This is wrong on at least two accounts. First, both the United States and Switzerland do not prohibit broad categories of objects. They must be subject to ownership declarations. The real important issue here is the enforcement and recognition of foreign export restrictions. To recognize these both the US and Switzerland require individual nations to make a request and require bilateral agreements to implement the heightened restrictions. This is the province of the Cultural Property Advisory Committee in the United States.

Second, Germany requires nations to publish lists of specific items they consider valuable because this is what the Convention requires. Article 5 of the Convention states,

To ensure the protection of their cultural property against illicit import; export and transfer of ownership, the States Parties to this Convention undertake, as appropriate for each country, to set up within their territories one or more national services, where such services do not already exist, for the protection of the cultural heritage, with a qualified staff sufficient in number for the effective carrying out of the following functions:

(a) contributing to the formation of draft laws and regulations designed to secure the protection of the cultural heritage and particularly prevention of the illicit import, export and transfer of ownership of important cultural property;

(b) establishing and keeping up to date, on the basis of a national inventory of protected property, a list of important public and private cultural property whose export would constitute an appreciable impoverishment of the national cultural heritage;

(c) promoting the development or the establishment of scientific and technical institutions (museums, libraries, archives, laboratories, workshops . . . ) required to ensure the preservation and presentation of cultural property;

(d) organizing the supervision of archaeological excavations, ensuring the preservation `in situation’ of certain cultural property, and protecting certain areas reserved for future archaeological research;

(e) establishing, for the benefit of those concerned (curators, collectors, antique dealers, etc.) rules in conformity with the ethical principles set forth in this Convention; and taking steps to ensure the observance of those rules;

(f) taking educational measures to stimulate and develop respect for the cultural heritage of all States, and spreading knowledge of the provisions of this Convention;

(g) seeing that appropriate publicity is given to the disappearance of any items of cultural property.

Note that article 5(b) requires a register and specific definition, the very thing Gill criticizes Germany for doing. This actually strikes me as a very good policy idea. Cultural heritage can mean lots of things to lots of people. I don’t see how its an onerous task for nations of origin at minimum to broadly define categories of objects which should be It should be noted that very few nations have successfully completed this task. This is one flaw, among many, of the UNESCO Convention.

The Convention is an important foundational document, but as a legal instrument leaves a great deal to be desired. Article 2, which can be read more broadly imposes vague requirements on States Party, but States are free to implement the Convention with a great deal of discretion.

Questions or Comments? Email me at derek.fincham@gmail.com

Chicago, Cuno and Iraq


Tom Hundley has a very long piece in yesterday’s Chicago Tribune on antiquities looting, Iraq, and Jim Cuno’s arguments (with slideshow). It’s an interesting read, as it summarizes nicely some of the problems with antiquities looting in Iraq, which he argues began in the difficult economic times after the first Iraq War.

At the close of the war in 1991, as Saddam fought off insurrections from the Kurds in the north and the Shiites in the south, the U.S. government imposed a no-fly zone over large swaths of Iraq. This, along with strict UN trade sanctions, created a kind of perfect storm. With the weakened Baghdad regime unable to control large parts of the country, impoverished Iraqi villagers—often with the blessing of village elders—turned to the only source of income available to them: scavenging the hundreds of archeological sites that dot the landscape between the Tigris and Euphrates rivers.

In some areas, the trade in looted antiquities accounted for almost 85 percent of local economic activity. Meanwhile, a weak U.S. economy at the end of George H. W. Bush’s presidency was encouraging the truly rich to look for alternatives to stocks and bonds. Art and antiquities fit the bill. As supply obligingly met demand, the market for Mesopotamian antiquities blossomed. Within months of the war’s end, a treasure trove of Mesopotamian antiquities began to show up in the gilded display rooms of auction houses in London and New York, no questions asked.

The article then goes on to summarize James Cuno’s views, and gives a very superficial discussion of national patrimony laws. He writes incorrectly I think that the Hague and UNESCO Conventions are the foundation for national patrimony laws. I think that’s a questionable assertion, as many patrimony laws were established long before these.

It is worth noting that there is a gross factual inaccuracy in the piece. Despite what the article says, the U.S. has ratified the 1954 Hague Convention. Perhaps Hundley should have spent a bit more time talking with Patty Gerstenblith, whom he quotes in the piece, or even Larry Rothfield — another Chicagoan — who has written a recent work on the looting in Iraq.

Questions or Comments? Email me at derek.fincham@gmail.com

Meaningful Discourse

There is a core of agreement even among the most diametrically opposed heritage advocates.

For example on Wednesday of this week the BBC program Today featured a brief piece with James Cuno and Colin Renfrew debating some of the foundational issues of heritage policy. What I find striking, is how to the casual observer much of what Cuno and Renfrew are discussing would appear to not be too far apart. They’ll both agree I think that the looting of sites is a problem, and museums should not acquire stolen or looted antiquities and works of art. They will disagree vigorously on what exactly constitutes ‘stolen’ or ‘looted’.

I’d argue that the disagreement, and much of the petty argument which takes place on the nets and at conferences actually makes the task of all sides more difficult, and is counterproductive. I’d like to see some real meaningful discourse, and a lot less sniping and unproductive exaggerations on both sides. Sadly all too often the disagreements make the american electoral process look sane and measured in comparison, not an easy task. The end result is a situation where the public often does not know how or why these issues matter.

Take for example the recent Interpol Symposium on the Theft of and Illicit Traffic in Works of Art,Cultural Property and Antiques in which a “lack of awareness among the general public of the importance of cultural heritage and the need for it to be protected,” and recommend that “INTERPOL, UNESCO and ICOM: Jointly seek ways of raising awareness among law-enforcement services, those responsible for safeguarding religious heritage, the major players in the art market and the conservation world, and the general public, with regard to protecting cultural property and combating illegal trafficking.” (via).

Questions or Comments? Email me at derek.fincham@gmail.com

3 Trucks Worth of Antiquities

The AP is reporting this afternoon that Switzerland is returning 4,400 objects to Italy, three trucks worth:

GENEVA (AP) — Switzerland is returning 4,400 ancient artifacts stolen from archaeological sites in Italy, including ceramics, figurines and bronze daggers dating as far back as 2,000 B.C., prosecutors said Thursday.

The transfer will require three tractor-trailers and all but end a seven-year legal battle over the antiquities.

They were seized in 2001 in storage rooms belonging to two Basel-based art dealers after a tip-off from Italy, said Markus Melzl, a spokesman for city prosecutors. The couple have since lost several court battles to prevent the antiquities from being returned to Italy, Melzl said.

More than half the objects were from the eastern Italian region of Apulia, an area that was heavily influenced by ancient Greek culture, said Guido Lassau, a Swiss archaeologist who worked on the case.

They include richly decorated vases and so-called kraters, large vessels that were used for mixing wine with water. The objects were stolen from upper-class tombs dating from the fifth to third centuries B.C., according to Lassau.

That’s a lot of lost context.

Questions or Comments? Email me at derek.fincham@gmail.com

"Antiquities Wars" at NYU Nov. 19th

The New York Institute for the Humanities at NYU is presenting the following:

Antiquities Wars

A conversation about loot and legitimacy

Wednesday, November 19th, 7 pm

NYU’s Hemmerdinger Hall
Silver Center for Arts and Science
100 Washington Square East

James Cuno
Director, The Art Institute of Chicago
Author, Who Owns Antiquity?

Sharon Waxman
Formerly of The New York Times
Author, Loot: The Battle over the Stolen Treasures of the Ancient World

Kwame Anthony Appiah
Philosopher, Princeton University
Author, Cosmopolitanism: Ethics in a World of Strangers

Daniel Shapiro
International Cultural Property Society
President Emeritus

Free to the public. For more information: 212.998.2101 or nyih.info@nyu.edu

Questions or Comments? Email me at derek.fincham@gmail.com

Art-Beat Constables

Martin Bailey of the Art Newspaper has the story of Scotland Yard’s part-time volunteer officers which have been tasked with policing art theft, the sale of looted antiquities, forgery and fraud. 

ArtBeat began in January 2007, and there are currently 13 special constables (six males and seven females). These include two from national museums, three from the Art Loss Register, three archaeologists with the remainder from a variety of institutions. The two from museums are Zoe Jackman of the V&A (see below) and Michael Lewis of the British Museum, where he is deputy head of the Portable Antiquities Scheme.

The Art and Antiques Unit needs all the manpower it can get. Last year Scotland Yard proposed halving the staff of its Art and Antiques Unit, which had four officers. In the end, the cuts did not proceed and funding has been confirmed for the current financial year. Nevertheless, resources are tight and having 13 part-time special constables for two days a month is equivalent to one extra full-time officer. Inspector Alan Seldon told us: “There are only four officers in the unit. The scheme expands what we can do, and enhances our capability.” He wants to encourage more recruits from the London art scene.

This seems to be a good idea generally, and if it helps the Arts and Antiques Unit, that must be a good thing.  But its no substitute for an open and honest market in art and antiquities. 

Questions or Comments? Email me at derek.fincham@gmail.com

Afghanistan Exhibit, Pros and Cons


I just listened to a very interesting story on Marketplace, discussing the pre-Islamic Afghani objects which are currently touring the United States. Two points. First, Afghanistan still is badly in need of funds and resources to protect sites; and second though the tour raises Afghanistan’s international profile and has a number of important benefits, it may also raise the desire of collectors to buy similar objects. This puts pressure on the limited enforcement mechanisms. Of course one possible solution is to dissuade collectors from buying these items, or we might even encourage source nations to consider marketing some of their surplus antiquities (a wildly controversial solution to be sure).

More on this travelling exhibition here. There has been concern in the past that Afghanistan didn’t quite get a fair deal out of this tour, though I think the piece speaks to this point. When Egyptian antiquities tour, the public associates Egypt with ancient civilizations. What does the American public currently think about when they think about Afghanistan? As the Afghan official pointed out, defining success for this Afghan tour is far different.

Questions or Comments? Email me at derek.fincham@gmail.com

Private International Law and Nations of Origin



I have posted on SSRN a working version of my forthcoming paper titled How Adopting the Lex Originis Rule Can Impede the Flow of Illicit Cultural Property, to be published some time next Spring in the Columbia Journal of Law and the Arts. Here is the abstract:

The International trade and transfer of art and antiquities faces problems because nations have erected very different rules with respect to movable property. All nations forbid theft, however most cultural property disputes involve an original owner and a subsequent good faith possessor. Different jurisdictions have chosen to allocate rights and responsibilities between these two relative innocents in very different ways. Disharmony in the law is seldom a good thing, but in the realm of cultural property it can be particularly damaging to the interests of nations, museums, individuals, and our collective cultural heritage. The lack of harmony ensures no overarching policy choices will be furthered, which prevents parties from anticipating legal outcomes and giving substance to policies.

This article explores the default conflict of law rules which are applied to cultural property, and shows how the lex situs rule exploits the various legal rules which apply to art and antiquities. It challenges the lofty position enjoyed by the lex situs rule and proposes a radical reform of the default choice of law analysis. By employing the law of the Nation of Origin or lex originis courts can ensure the jurisdiction with the most tangible connection to an object enjoys the benefit of applying its legal rules to a given dispute. This will not only ensure the security of art and antiquities transactions, but impart much-needed transparency into the cultural property trade, and finally will decrease the theft and illegal excavation of art and antiquities.

The article begins by presenting some examples of recent disputes, and the problems they present for the law and cultural heritage policy. Section II describes the fundamental difficulty of adjudicating claims between two relative innocents, and the disharmony which has resulted as different jurisdictions have resolved this conundrum in very different ways. Section III lays out the ways in which private international law impacts art and antiquities disputes. Section IV analyzes the 1995 UNIDROIT Convention, the most recent attempt to harmonize the law affecting cultural property. Section V proposes a radical reform of the choice of law enquiry taken by courts.

I’d be delighted to hear any reactions to the work at derek.fincham “at” gmail.com.

Questions or Comments? Email me at derek.fincham@gmail.com

International Red Tape, $500 Translation

International red tape often hampers the investigation of the illicit trade in antiquities, this example involves Leonardo Patterson (discussed earlier here) and the difficulty in acquiring a decent Spanish-German translation. From AFP a couple days ago:

SAN JOSE (AFP) — The price of a translation is keeping the Costa Rican government from retrieving a collection of pre-Columbian objects it claims were stolen by a private collector now living in Germany.

In August 2007, Costa Rica first learned about Leonardo Patterson’s collection stored in Spain since 1997. Its more than 1,700 pre-Columbian pieces originate from Costa Rica, Mexico, Guatemala, Nicaragua, Panama, Ecuador, Bolivia and Peru.

Costa Rica is seeking the recovery of 457 of those objects it says are part of its national heritage.

Patterson’s collection is of incalculable value, said Marlin Calvo, head of the Cultural Heritage Protection department at Costa Rica’s National Museum.

The objects are “very beautiful, very diverse, and in very good condition,” said Calvo.

Patterson, a former Costa Rican diplomat and renowned art collector, was questioned and part of his collection seized by Munich police in April this year, after he took it out of storage in Spain and had it shipped to Germany.

Investigators valued the objects at more than 100 million dollars.

Costa Rica, along with Mexico and Peru, say some of the pieces were stolen and are attempting to recover them, even as Patterson maintains he obtained them in Europe, legally.

Since May, Costa Rican authorities have tried, without success, to reclaim the pieces. Their main problem: the price of a translation.

Questions or Comments? Email me at derek.fincham@gmail.com

New Heritage Legislation in the UK?

Jaspar Copping has a very interesting, though perhaps misleading, article in the Telegraph on Saturday detailing potential new heritage legislation in the UK. He writes initially that UK museums are prevented by law from giving works of art back to the families that once owned them. That is true, but that does not mean these families are denied compensation (which he points out further down in the piece). The Spoliation Advisory Panel has the power to award compensation to the claimant.

It seems there is a campaign by a Labour MP, Andrew Dinsmore:

“The owner of an artwork identified as stolen by the Nazis ought to have the right to decide whether they wish for the artwork to be returned,” he said.

“Some people may be happy for work to stay in public collections, but they should have the option. At the moment, they are not given that choice.

“No one knows how many artworks this will relate to but we shouldn’t think that just because the war was 60 years ago that this has all finished.”

Under the current legislation, all national museums and galleries are prevented from disposing of any of their works. They can only offer compensation to the owners, although private museums are able to return artworks and artefacts.

I’m not sure if this is an essential change. I think the UK policy which avoids costly litigation is a useful model. In the US, where nazi-era restitutions suits are the most common, claimants often get title to the disputed works. However in nearly all cases they sell the works anyway to satisfy the enormous legal fees often required to bring these successful claims.

Then in a response, the Department of Culture Media and Sport said, “The Government are committed to introducing legislation as soon as possible to allow all national museums, that are currently prevented from doing so by the acts of parliament under which they are founded, to return works of art spoliated during the Nazi era.” It seems this legislation will be a component of the prospective Heritage Protection Bill.

One thing to watch closely will be how the legislation may permit institutions to return the work to claimants, a potential move which may signal a shift in the obstacles the British Museum may have in electing to return antiquities to their nation of origin. The debate over that question will likely feature in the consideration, as the Parthenon Marbles always seem to be overshadowing UK heritage policy.

Questions or Comments? Email me at derek.fincham@gmail.com