Children’s Book Recommendation: ‘Isabella: Artist Extraordinaire’

Isabella: Artist Extraordinaire by Jennifer Fosberry, illustrated by Mike Litwin

Now for something completely different. Maintaining physical distancing and staying home presents particular challenges to those of us with toddlers. And if you are like me you likely are really, really missing the experience of seeing art in museums and galleries. Luckily, I have a remedy. There’s a terrific book that manages to combine art and staying home in a rare children’s book which is fun to read and a hit with our little one. Best of all, I receive profound joy whenever we get to the page with Edvard Munch’s The Scream, and our toddler recreates it himself. The book offers a sweet girl heroine, art that you likely know about, and a nice introduction to some major works. It has been a hit with our little book lover, and his parents.

Below you can find a useful link to the book at Bookshop, an online bookstore which supports local, independent bookstores.

Facebook will remove posts selling cultural objects

Facebook announced today that it will remove any content that is an attempt to buy, sell, or trade in “historical artifacts”. That decision is a welcome change, and the product of a terrific advocacy campaign by the Antiquities Trafficking and Heritage Anthropology Research (ATHAR) Project. in a press release, Greg Mandel, public policy manager at Facebook stated “To keep these artifacts and our users safe, we’ve been working to expand our rules, and starting today we now prohibit the exchange, sale or purchase of all historical artifacts on Facebook and Instagram”.

Some of the posts were truly shocking. Katie Paul, co-director of ATHAR was quoted in the NYT: “They literally will post pictures from auction catalogs and say, ‘See, this is how much this stuff can sell for, so go for it guys.’” And that kind of buyer-directed looting was reported by the BBC in 2019:

This welcome reform will help to prevent Facebook’s algorithms and micro-advertising campaigns from being used to sell illicit cultural objects, but likely will not end it entirely. As Prof. Amr al-Azm, from Shawnee State University in Ohio, adequate enforcement efforts will also be needed because simply “[r]elying on user reports and Artificial Intelligence is simply not enough”. Though more work may need to be done, this is a welcome development, and big congratulations should be directed at everyone at the ATHAR project and who called for this reform.

Tom Mashberg, Facebook, Citing Looting Concerns, Bans Historical Artifact Sales, The New York Times, Jun. 23, 2020, https://www.nytimes.com/2020/06/23/arts/design/facebook-looting-artifacts-ban.html.

Carlie Porterfield, Facebook Bans Artifacts Trade After Uptick In Posts Of Looted Objects, Forbes (Jun. 23, 2020), https://www.forbes.com/sites/carlieporterfield/2020/06/23/facebook-bans-artifacts-trade-after-uptick-in-posts-of-looted-objects/.

Steve Swann, Facebook Bans “loot-to-Order” Antiquities Trade, Jun. 23, 2020, https://www.bbc.com/news/world-middle-east-53140615.

Tracking the history looted from a warzone, BBC News (May 2, 2019), https://www.bbc.com/news/av/world-middle-east-47671566/syrian-looting-tracking-the-history-taken-from-a-warzone.

Orenstein on ‘risking criminal liability in cultural property transactions’

La dea di Aidone (formerly the Getty Goddess) perhaps an instance of conscious avoidance when the Getty Foundation acquired her in the 1980s?

Karin Orenstein, an Assistant U.S. Attorney for the Eastern District of New York has published a new short essay for the North Carolina Journal of International Law titled “Risking Criminal Liability in Cultural Property Transactions”. In the Piece she references the purchases of questionable material by prominent wealthy collectors Michael Steinhardt and Steve Green. From the abstract:

This Comment explores when buyers of cultural property cross the line from taking business risks to engaging in criminal conduct. The Comment applies the National Stolen Property Act (NSPA) and the conscious avoidance doctrine to potential red flags in hypothetical cultural property transactions. When buyers are presented with red flags about a piece’s provenance and choose not to investigate, they cannot rely on deliberate ignorance as a defense to a charge that they knowingly transacted in or possessed stolen cultural property.

Orenstein, Karin, Risking Criminal Liability in Cultural Property Transactions (2020). North Carolina Journal of International Law, Vol. 45, 527, 2020. Available at SSRN: https://ssrn.com/abstract=3583457