Month: February 2011

Firsthand Report of Looting in Saqqara

The step pyramid of Djoser at Saqqara

There are a number of conflicting reports emerging from Egypt, and as evacuated members of foreign archaeological missions arrive home, we are learning more about what took place in the chaos last weekend. Zahi Hawass is reporting on his website that sites are being protected and that reports of rumors of looting at places like Saqqara are not true. Yet Lee Rosenbaum has been forwarded a firsthand account from a French archaeologists that describes looting last weekend:

The French Archaeological Mission at Saqqara has just left Egypt yesterday and arrived safe today. As most of you are in lack of direct information concerning what happened there, I will try to tell you in brief what I saw. 
On Saturday, the taftish [on-site officer from Egypt’s Supreme Council of Antiquities] asked us to stop the work, because the police were not in the capacity of protecting us anymore. In the afternoon, we could see that the police at the police station at the entrance of the resthouses was gone and had left us alone. That is when it all began: Robbers from Saqqara and Abusir became aware of this and they began to spread in the gebel [mountainous desert].
The first afternoon and night, they mainly attacked places which were secured with locks. They broke them and went inside. Most of the time, they destroyed what they saw and not robbed anything, trying to find “treasures.” These are not well organised robbers but, mainly, young people from 10 to 20, very probably looking for gold. That is why, when they saw blocks of stone, they most of the time left them, or destroyed them in order to find what was underneath.
I could see them with my eyes the day after, when we made a tour in the gebel with the army. Around 5 p.m., when the sun was still not down, at the muslim cemetery of Abusir, I counted more than 200 young men, excavating in front of us, ready to flee if the army would come down. A tank of the army was there, but they kept on digging. The soldiers were not numerous enough to do anything else than showing they were here. And when we went back, they probably came back in the highs. They were laughing and throwing stones at us. 
. . .

After three days, more and more soldiers arrived in Saqqara and secured more and more of the area. The worse days were Saturday and Sunday. It looks like the army is now securing most of the area, and they made clear that anyone taken would be taken to jail. Hope it works.

Questions or Comments? Email me at derek.fincham@gmail.com

Getty Secures Export License for "Modern Rome—Campo Vaccino"

JMW Turner “Modern Rome—Campo Vaccino”, soon on display at the Getty

This landscape by JMW Turner has been granted an export license from the UK Culture Ministry. The painting had been on display for the last thirty years at the National Galleries in Scotland, on loan from the Primrose family. For me, the work fit well in Edinburgh, echoing nicely that city’s neoclassical architecture. It was always one of my favorites, a reason to stop in to Scotland’s national gallery. Turner’s depictions of classical ruins and renaissance buildings echoed Edinburgh’s own neoclassical features. Now the work is on its way to Los Angeles.

Calton Hill, Edinburgh

The UK has a limited export restriction scheme, which temporarily halts the export of a work if it falls under one of the three Waverley Criteria:

  1. Is it so closely connected with our history and national life that its departure would be a misfortune?
  2. Is it of outstanding aesthetic importance?
  3. Is it of outstanding significance for the study of some particular branch of art, learning or history?

If a work can fall under any one of these three categories, export will be temporarily restricted by the Department of Culture, Media and Sport (DCMS) so a UK buyer can raise enough money to keep the work in the UK. This work was purchased for $44.9 million at an auction in Sotheby’s last year. Will there be calls to amend the limited export regime as more works of art leave? In the past the UK had been more willing to continue to delay export, and even to offer more funding to help domestic buyers match foreign prices and ensure works of art remain in the. But austerity may be changing that. As Mike Boehm speculates

But “Modern Rome” is coming, perhaps a sign that at a time of austerity in Great Britain, a domestic arts economy that’s far more reliant on government funding than in the United States could not muster the wherewithal to take the painting away from the privately and lavishly endowed Getty. In 2004, according to a BBC report, the British government anted up more than half the money to match the Getty’s bid for “Madonna of the Pinks,” tapping a fund from lottery receipts that’s earmarked for cultural purposes.

  1. Mike Boehm, Getty Museum’s $44.9-million purchase of J.M.W. Turner masterpiece is final as sale clears U.K. export hurdle, LA Times Culture Monster, February 3, 2011, http://latimesblogs.latimes.com/culturemonster/2011/02/getty-jmw-turner-masterpiece.html (last visited Feb 4, 2011).
Questions or Comments? Email me at derek.fincham@gmail.com

Unrest Near Egyptian Museum

If you are following the live feed on al-jazeera, you’ll see that there is still a great deal of unrest near the Egyptian museum:

Petrol bombs were thrown in Cairo’s Tahrir Square on Wednesday, a Reuters witness said. An Egyptologist said some had landed in the gardens of a museum housing the world’s greatest collection of Pharaonic treasures.

The Egyptian museum itself however was unscathed.

The Egyptologist, who had been in contact with Egypt’s Supreme Council of Antiquities, said it seemed the petrol bombs were being thrown by protesters demonstrating in favour of President Hosni Mubarak.

“So far the museum is safe, but we don’t know what’s going to happen, because the Mubarak supporters are out of control,” the Egyptologist, who declined to be identified, added.

. . .

The army moved to extinguish the flames, a source from the Ministry of Defence told Reuters. Army fire engines were called to the scene to ensure that fire did no damage to “army property”, the source said.

Petrol bombs thrown at protest near Egypt Museum | Reuters

Questions or Comments? Email me at derek.fincham@gmail.com