Commemorating Italy’s 1909 Antiquity Law


Elisabetta Povoledo has an overview of an Italian exhibition celebrating its 1909 Antiquities Law in Tuesday’s New York Times. The proposed message is clear, were it not for Italy’s strong cultural heritage laws, we would have lost a great deal of contextual and other information. One object from the exhibition is this bust of Augustas purchased in “an antiquarian market in 1938”.

As the piece notes:

The exhibition is part of a broader scholarly program to study and celebrate the 1909 cultural-heritage legislation, which laid the groundwork for protective laws adopted in subsequent decades. “That early law consolidated principles that are still active today,” said Adriano La Regina, one of Rome’s leading archaeologists and the chief curator of the exhibition.

These laws have set an important precedent, and resahped the art and antiquities trade. They remain an imperfect instrument though. There are potential drawbacks to such an aggressive legal regime. One example is an unsuccessful attempt by Italy –characterized by John Henry Merryman as retention– to secure the return of a French work by Matisse which was illegally exported to the United States, Jeanneret v. Vichy 693 F.2d 259 (2d Cir. 1982). The regime may also present difficulties for contemporary Italian artists, which often have a difficult time selling their work abroad:

Domenico Piva, president of the Italian federation of art dealers, said it was “preposterous” that a release form must be obtained from the Culture Ministry each time a 50-year-old art object is exported, “even if it’s an industrial object by an architect.”

He said the laws had “led to the creation of an entirely internal and provincial art market” and restricted the profile of modern Italian artists abroad. “We complain that the Impressionists have a great international market, and our own artists are ignored, but it’s because our artists only circulate in Italy,” he said.

These are the two sides of the cultural heritage debate. In a sense I suppose its a difficulty with art and culture generally when art and cultural output is commodified.

It’s also interesting that this exhibition comes close on the heels of the resolution of the Oetzi “Iceman” dispute, in which a court ruled the North Italian province of Bolzano had to pay a finders’ fee of 150,000 Euros. This after the finders — who were on a hike in 1991 — were offered 5,200 euros initially. Italian law provides a finders’ fee of 25% of a discovery’s value. The difficulty can be settling on a real value of an object which has no licit market. But the council finally agreed to pay the larger amount in recognition of the tremendous tourist dollars the find attracts.

Questions or Comments? Email me at derek.fincham@gmail.com

My Article on the Portable Antiquities Scheme

I’ve posted on SSRN my article from the August edition of the International Journal of Cultural Property, A Coordinated Legal and Policy Approach to Undiscovered Antiquities: Adapting the Cultural Heritage Policy of England and Wales to Other Nations of Origin 15 Int’l. J. Cult. Prop. 347 (2008). Here’s the abstract:

Blanket ownership laws, export restrictions, and the criminal law of market nations are the default legal strategies currently used by nations of origin to prevent the looting of archaeological sites. Although they have been remarkably successful at achieving the return of looted objects, they may not be the best strategies to maximize the recording and preservation of archaeological context. In England and Wales a more permissive legal regime broadly applied and adopted by the public at large has produced dramatically better results than the strong prescriptive regime of Scotland, which can be easily ignored.

This article attempts to clear up any misconceptions of the cultural policy framework in England and Wales. It accounts for the legal position accorded undiscovered portable antiquities, and describes how this legal framework is perfected by a voluntary program called the Portable Antiquities Scheme (PAS). This approach stands in stark contrast to Scotland, which has used a legal strategy adopted by most other nations of origin.

The domestic legal framework for portable antiquities in England and Wales is unique and differs from the typical approach. Coupled with the PAS, this legal structure has resulted in a better cultural policy, which leads to less looting of important archaeological sites, allows for a tailored cultural policy, and has produced more data and contextual information with which to conduct historical and archaeological research on an unprecedented scale. Compensating finders of antiquities may even preclude an illicit market in antiquities so long as this compensation is substantially similar to the market price of the object and effectively excludes looters from this reward system. Although the precise number of found versus looted objects that appear on the market is open to much speculation, an effective recording system is essential to ensure that individuals who find objects are encouraged to report them.

I wanted to write what I hope is a thoughtful piece which describes in an objective way what the PAS does, and how it creates a pragmatic compromise. Many of the very best heritage scholars are still seemingly under a misimpression about what it does and does not do. It’s not a perfect system, but it has produced some dramatic results, and may change the way we conceptualize heritage and context. I hope those interested in the scheme and archaeology will do me and the employees of the PAS the courtesy of reading the piece before dismissing my position. Sadly I’m afraid some already have reacted, without even reading the piece.

I have no doubt that some of my assertions may prove controversial, and I’m happy to have a vigorous debate, but I think everyone interested in heritage issues needs to work harder to make sure they are leaving room for meaningful discourse and disagreement and that we’re respectful of differing views and positions.

Pictured here are a horse and rider found in Cambridgeshire which appeared in the 2007 PAS annual report, via the PAS flickr page.

Questions or Comments? Email me at derek.fincham@gmail.com

Provenance Red Flags

For those of you who don’t follow David Gill’s Looting Matters blog, you should. He’s had a great series of posts this week, but in my view his most valuable contribution to heritage policy is his tireless focus on antiquities which are offered for sale with little legitimate provenance. The latest came three days ago:

The Bonham’s sale of antiquities on October 15, 2008 will include an Apulian volute-krater from the Robin Symes collection (lot 180). No other history has been provided.

Several antiquities associated with Robin Symes have been returned to Greece and Italy in recent years. So what is the previous history of this krater? Who is the present owner?

That’s exactly the kind of pressure and pointed questioning the antiquities trade needs to account for. Where was the object unearthed? Where did Symes acquire it? He may have acquired it legitimately, but as courts have noted in other similar contexts the “red flags” should be up.

Questions or Comments? Email me at derek.fincham@gmail.com

United States Senate Finally Ratifies the 1954 Hague Convention



On September 25th, the Senate gave its advice and consent and ratified the 1954 Hague Convention on the Protection of Cultural Property in the Event of Armed Conflict. The treaty was submitted to the Senate by President Clinton in 1999. You can read the statement submitted by the Lawyers Committee for Cultural Heritage Preservation, and other heritage advocacy groups here.

Pictured here is a “Blue Shield” in Austria I pulled from Flickr. The text reads:

“Protected by the convention of The Hague, dated 14 May 1954, for the protection of cultural property in the event of armed conflict. (BGBI. No. 58 3rd April 1964).”

I’m a bit surprised the ratification has not made any papers yet. Though a Presidential election and a world banking collapse certainly are taking their share of headlines; part of the reason may be that the Hague Convention was designed to prevent the kind of theft and widescale destruction which took place in World War II, as Larry Rothfield correctly points out.

As Rothfield notes:

A new and quite distinct danger has emerged in the half-century since the 1954 Convention, however. It comes not from military action, but from military inaction in the face of looting by civilians, fueled by the global market for antiquities that has boomed over the last few decades. While Hague leads the military to [focus] on avoiding harm, it imposes no requirement to actively protect cultural sites against the harm that comes from the breakdown in law and order and the concomitant surge in market-driven looting. The obligations it imposes on occupying powers, in fact, seem designed to limit the responsibility of occupiers for securing cultural property, with such responsibility applying only to “cultural property situated in occupied territory and damaged by military operations,” only when national authorities are unable to protect it, and even then only so far as possible. Since looting by civilians is not damage inflicted by military operations, Iraq’s archaeological sites are fair game and no necessary concern of the US military, which may in fact point to Hague as putting it off the hook for whatever goes wrong.



That succinctly points out the main flaws in the Hague framework. However Rothfield notes, and I wholeheartedly agree that the flaws in the Hague Convention certainly do not make ratification meaningless.

It officially adopts what had up to now been customary international law, and may help to aid and support the efforts of organizations like Blue Shield and others. Ultimately, the difficulty international treaties and lawmakers have had in regulating the rules of conflict to prevent the looting and destruction of sites may indicate how difficult it is to regulate armed conflict — and may perhaps be a powerful reason to avoid the use of force at all cost. As the Hague Testimony endorsed by heritage advocacy groups notes, adoption of the Convention is a crucial step toward improving our foreign relations by sending a strong signal to all nations that the United States values their cultural heritage.”


Questions or Comments? Email me at derek.fincham@gmail.com